A work resulting from Ullmann's reflections about the relationships between music and language: language as sound and language as text, and the numerous relationships between texts of different cultural and religious traditions.
The string quartet sei-jaku by German composer Klaus Lang, documented on this CD, was performed on June 30, 2002 in the Grober Sendesaal of the SFB Berlin by the Arditti String Quartet during the festival Inventionen 2002.
XYZ is the trio of Pierre-Yves Martel (feedback & static), Martin Tetreault (turntable), & Philippe Lauzier (reeds) improvising with post-industrial sound orchestration using electronic and acoustic sources.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
Quartetski Does Stravinsky with drummer Isaiah Ceccarelli, guitarist Bernard Falaise, reedist Phillipe Lauzier, viole de gamaba player Pierre-Yves Martel and violinist Joshua Zubot reinterpret Stravinsky's Rite of Spring in honor of its 100th anniversary.
The free improvising quartet of Jack Wright on alto and soprano sax with three electronic artists--Andrea Pensado, Stephanie Lak, and Walter Wright--recording in the studio in Philadelphia PA for two extended pieces of unusual character and dynamic.
Brooklyn trombonist Dan Blacksberg's and the powerful rhythm section of bassist Matt Engle (Shot X Shot) & drummer Mike Szekely (Anthony Braxton Quartet) in their 2nd NoBusiness release, performing compositions pushing the limits of the trombone while adhering to jazz roots.
French artists Michel Edelin (flute), Jacques Di Donato (reeds), Jean-Jacques Avenel (bass) and Simon Goubert (drums) in a melodic and creative jazz album that surprises in beautiful and unusual compositional structures.
Released along with "Canada Day Octet", this new release presents drummer Eisenstadt's quintet with Nate Wooley (trumpet), Matt Bauder (sax), Chris Dingman (vibes) and Garth Stevenson (bass) in an album of great tunes and spirited playing.
The Bozzini Quartet commissioned this work from the duo Derome/Hetu, which tackles the subject of making differences cohabit, calling for the musicians to move & improvise in response to a soundtrack in 4 languages.
A live recording at the Outpost from a tour in 2013, the first time the Desert Sweets trio of Biggi Vinkelo on sax & flute, Mark Weaver on tuba and didgeridoo, and Damon Smith on double bass, reuniting after their 2001 recording for a beautiful album of intimate improvisation.
Live recordings at the 2014 Vancouver International Jazz Festival from drummer Harris Eisenstadt's excellent and lyrical Golden State chamber jazz ensemble, here as a quartet with Michael Moore on clarinet, Sara Schoenbeck on bassoon, and Mark Dresser on bass.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.
Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).
Referencing sci-fi, C.S. Lewis, and alien worlds, the compositions of Marek Poliks each have a central metaphor like alien environment and warmth, spaceship and cradling, performed by ensembles using traditional and electronic instruments and objects.
An album of tones and tonal environments from Barry Chabala and A.F. Jones, using guitars and effects to create slowly moving tones punctuated with unusual utterances of unknown origin; rich and curiously non-specific sound that lives in the back- and foreground.