A beautiful box set presenting 4 CDs that author and musicologist Paul Bowles recorded in 1959 of Moroccan, Algerian and North African music, with a 120 page leatherette book of liner notes by Philip Schuyler, field notes by Paul Bowles, and an introduction by Lee Ranaldo.
An ongoing compilation organized by Elliott Sharp that is dedicated to solo guitar with 16 original tracks by various artists ranging from acoustic, electro-acoustic, electric, all the way to electronic.
The 3rd issue from Elliott Sharp's compiled series of guitar work in the 21st century, demonstrating new sounds, processes, techniques, melodies, riffs and gestures from a who's-who of modern improvising guitarists, a must-have release for all guitar fans and players.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Free improvising saxophonist Simon Rose, on baritone and alto sax, meets composer/arranger Stefan Schultze on prepared piano for 11 exploratory works based around Schultze's "modules"--bits and pieces attached inside the piano--creating unusual platforms for free improvisation.
An album of tones and tonal environments from Barry Chabala and A.F. Jones, using guitars and effects to create slowly moving tones punctuated with unusual utterances of unknown origin; rich and curiously non-specific sound that lives in the back- and foreground.
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.