On this solo CD, [Cor Fuhler] plays an 'acoustic grand piano, using ebows and super magnets. No overdubs, no electronics, no electronic treatment

Unusual electronic improv that moves from light to dark with great grooves and unusual turns, from the core of Klaxon Gueule with Jesse Levine on organ.

Violinist Del Fabbro (Fanfare Pourpour, Rouge Ciel) present 13 pieces for up to ten players with Jean Derome, Pierre Tanguay in a melting pot of avant-rock & compositional forms.

Multiphonic trombonist Fiedler in a trio playing nine original Fiedler compositions.

Dark electronic soundscapes with dark beats and vocal improvisations.

Intelligent Dark Electronica with a touch of Krautrock and experimental ambient.

Incredible hybrid of styles from Houle, Zubot & Co., incorporating electro-acoustic, improvisation, folk-inspired melodies, samples and odd dialogue.

Lisbon saxophonist and composer Alípio Neto in exciting free and hard bop sessions with New Yorkers Herb Robertson, Michael Thompson, and Ken Filiano.

Recordings from Cork, Ireland (home of O'Leary) and Basel, Switzerland, of subtle, dark and powerful experimental improv from two masters of the form.

Triple CD from Variable Geometry Orchestra, who create music by juxtaposing acoustic and electronic sound matter with subliminal and psycho-acoustic side effects.

Circle The Path straddles the line somewhere between old-school free jazz, contemporary improvisation, the blues, and standard composition.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Live recordings of this incredible improvising trio as influenced by a 'tempestuous' storm buffeting & rattling the windows of the church in which the performance took place.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

California saxophonist Adnan Marquez-Borbon exploring improvisation and electro-acoustic manipulation in solo works with a divserse set of influences.

Two live conducted improvisations percussion for large group recorded at the Oakland Box Theater, presenting the 6 part Piece No.11: Two Orchestras in Separate Rooms.

Electronic music theater orchestrated by Yannis Kyriakides in collaboration with the Dutch musical theater group, VeenFabriek, that's centralized around the concepts of Spinoza's texts.

Recorded among the Alps, "Refugio" is Laboule's (Paolo Novellino) disclosure of an ancient, dusty and seaside soundscape where it's possible to discover the necessary asylum to grow and find a refuge for melancholy.

Improvised music using traditional Alpine horn music as its roots, as performed by a quartet of alphorns, büchels, and voice.

Oliver Lake's 1970's trio live at the Willisau Jazz Festival in 1979 playing all Lake compositions.

Michel F Cote in a hybrid release of country and actuelle music that is unpredictable and funny with help from artists such as Bernard Falaise, Frank Martel, Billie Folliday, etc.

Frequent collaborators, Canadian drummer and experimentalist Eric Hamelin joins Chris Dadge, who more typically performs as a drummer/percussionist, in a duo with Dadge on violin, as the two create wonderfully active environments of sound that follow conceptual paths embracing electroacoustic methodology through two pieces performed live in the studio.

A tour-de-force of modern creative jazz from the quintet of Larry Ochs on tenor & sopranino saxophones, Nate Wooley on trumpet, Ken Filiano on bass & effects, Pascal Niggenkemper on bass & effects, and Harris Eisenstadt on drums, the familiar history of the musicians and the staggering skill of each bearing out the album's title, in 2 collective and 3 Ochs compositions.

1. Ma(R)Ker #1 4:32

2. Ma(R)Ker #2 4:38

3. Ma(R)Ker #3 3:30

4. Ma(R)Ker #4 5:55

5. Ma(R)Ker #5 6:15

6. Ma(R)Ker #6 3:04

7. Ma(R)Ker #7 5:23

8. Ma(R)Ker #8 4:59

9. Ma(R)Ker #9 3:42

10. Ma(R)Ker #10 8:13

11. Ma(R)Ker #11 5:34

Recorded at the 2017 Improfest (Festival Internacional de Improvisacao e Arte Sonora) in Sao Paulo, the quartet of Marco Scarassatti, Antonio Panda Gianfratti, Paulo Hartmann, & Otomo Yoshide bring viola de cocho, percussion, self-made instruments, turntable, guitar, and prepared chiquita to a superb concert of wide-ranging improvisations named by geographical location.

A live recording of two extended improvisations at Audio Rebel's Quintavant in Rio de Janeiro, Brazil from the quartet of Arthur Lacerda on guitar and electronics, electric bassist Felipe Zenicola, guitarist Eduardo Manso, and drummer/percussionist Paal Nilssen-Love.

Hyperpianist Denman Maroney in a quintet with Ned Rothenberg, Dave Ballou, Reuben Radding and Michael Sarin, complex and rewarding structured & multi-tempo music.

The duo of pianist Dana Reason and drummer & sampler player Peter Valsamis in an album crossing boundaries of jazz, classical, and creative new music from two exceptional players involved in a rich dialog.

An amazing solo CD of free improvisation from guitarit David Stackenaus, showing incredible technique and melodic intent, equally at ease when exploring tonality and melody or abstract noisy textures; compelling and impressive playing!

A 46-member orchestra of electroacoustic improvisers performing live at St. George's Church in Lisbon in 2015, for an extended and dynamic tapestry of sound conducted by leader Ernesto Rodrigues, with an impressive list of artists familiar to those following the CS label.

Mego founder and electronic artist Peter Rehberg met with Schmickler (Kontakta) in 2007 for two days of explosive, dense recording with a remarkable clarity.