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Scelsi, Giacinto
The Orchestral Works 2



Label: Mode Records
Country: USA

"The first recording of his 32-minute grand cantata La nascita del Verbo. Steeped in chromaticism, with hints of Scriabin and a sea of percussion, Nascita boasts a vast double fugue (one of the most imposing in the history of music) and a forty-seven voice canon in twelve keys. This work, "truly written in blood," left Scelsi "in a deplorable state," afterwards he stopped composing for several years.

One of Scelsi's infamous pieces is the Quattro Pezzi (su una nota sola). Each piece is limited to one pitch with micro-fluctuations of sound (vibratos, slurs, spectral changes, tremolos...). Because of the nearly total abandonment of harmonics, the listener concentrates on new sonorous subtleties, on the orchestra's timbre as a whole.

In 1966, he completed the ferocious, tormented, complex Uaxuctum. The myths and mysteries of this Mayan city is reflected in Scelsi's compositional process: new instrumental and vocal techniques (breathing noises, nasal sounds, muted or inhaled gutturals...), rhythmic incantations, a petrified flow of time. Few woodwinds, a string section consisting of six double basses, lots of brass, and, in addition to a timpanist, no less than seven percussionists!"-Mode Records






Related Categories of Interest:

Avant-Garde
Compositional Forms
February 2007



Search for other titles on the Mode Records label.
Price: $13.95
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Product Information:

UPC: 764593017622

Label: Mode Records
Catalog ID: MODE 176CD
Squidco Product Code: 7604

Format: CD
Condition: New
Released: 2006
Country: USA
Packaging: Jewel Tray


Personnel:

Vienna Radio Symphony Orchestra

Peter Rundel, Johannes Kalitzke-conductors

Concentus Vocalis

Wiener Kammerchor

Herbert Bock, Michael Grohotolsky-chorusmasters

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Track Listing:

Quattro Pezzi (su una nota sola) (1959) (16:54)

for 25 musicians

Peter Rundel, conductor

1st Movement (2:56)

2nd Movement (4:49)

3rd Movement (4:27)

4th Movement (4:41)



Uaxuctum-The Legend of the Mayan City which they themselves destroyed for religious reasons (1966) (21:14)

for ondes Martenot, seven percussionists, timpanist, chorus and 23 musicians

Peter Rundel, conductor

1st Movement (6:13)

2nd Movement (3:59)

3rd Movement (3:43)

4th Movement (3:12)

5th Movement (4:07)

Concentus Vocalis, Chorusmaster: Herbert Böck



La nascita del Verbo (1946-48) (31:58)

for chorus and large orchestra

Johannes Kalitzke, conductor

1st Movement (6:34)

2nd Movement (6:00)

3rd Movement (8:09)

4th Movement (11:15)

Wiener Kammerchor, Chorusmaster: Michael Grohotolsky











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