The Squid's Ear Magazine

  Rapid SSL

  PayPal

  Mastercard

  Visa

  Discover

  American Express



© 2002-2021, Squidco LLC


Vario 34 (Christmann / Frangenheim / Gustafsson / Lehn / Lovens): Vario 34-3 (Corbett vs. Dempsey)

Since 1979 cellist & trombonist Günter Christmann has led around 50 variations of "Vario", inviting musicians, actors, dancers, & filmmakers to partake; Vario 34--Christmann, Paul Loven (percussionist), Mats Gustafsson (sax), Thomas Lehn (live-electronics), and Alexander Frangenheim (bass)--first performed in 1993, and these Berlin recordings are from their 3rd meeting in 2018.
 

Price: $14.95


Quantity:

In Stock


Shipping Weight: 2.00 units

Quantity in Basket: None

Log In to use our Wish List
product information:


UPC: B08VFS3GWZ

Label: Corbett vs. Dempsey
Catalog ID: CvsDCD073
Squidco Product Code: 30058

Format: CD
Condition: New
Released: 2021
Country: USA
Packaging: Cardstock Gatefold Sleeve
Recorded in concerts on successive nights in Berlin and Christmann's hometown of Hannover in August, 2018.


Personnel:

Gunter Christmann-cello, trombone

Alexander Frangenheim-double bass

Mats Gustafsson-soprano saxophone

Thomas Lehn-live electronics

Paul Lovens-percussion

Click an artist name above to see in-stock items for that artist.

Highlight an instrument above
and click here to Search for albums with that instrument.

Artist Biographies:

"Born 1942; trombone, cello, film.

Günter Christmann has been working since 1968 as a free-lance musician specialising in improvised musics - particularly free improvisation - and their links with other art forms. In the late 1960s and throughout the 1970s, he was primarily known for his trombone (and less frequent double bass) playing in a variety of groupings: Rüdiger Carl group (1969-1972); Peter Kowald Quintett (1972-1974); a duo with Detlef Schönenberg (1972-1982) which itself included many collaborations - for example with the electronics player Harald Bojé - as a member of the Globe Unity Orchestra from 1973 onwards; and in duo with Tristan Honsinger (1978-1981). In the mid-1970s Christmann also began exploring the possibilities of solo playing, sometimes including electro-acoustic manipulations and montage techniques. Since 1980 Günter Christmann has played regularly with Paul Lovens - for example, in the excellent (and recorded) trio with Maarten Altena, in duo, and in trio with Mats Gustafsson - in duo with bass player Torsten Müller (generally under the name of their recording, Carte blanche, as a member of King Übü Orchestrü (1987-1994), and in duo with Alexander Frangenheim. He also started to feature cello in his playing, not as a second instrument to trombone but as an equal.

From 1979 Günter Christmann has been interested in working with different combinations of improvisers from an international pool, often combining musicians with dancers, actors and acrobats. These groupings have gone under the generic name of VARIO (now up to VARIO 35), with many combinations having been documented on LP and CD (see list below). VARIO concerts have included: Langenhagen Jazz 1979/1981/1983; Moers 1981/1983; Actual London 1981; Pisa 1982; Osnabrück 1982; Utrecht 1982; a tour of South and Central America in 1983 (Mexico, Columbia, Dominican Republic, Peru, Chile, Argentina, Uruguay, Brazil); Zürich 1984; Hannover 1985; Bremen 1985; Paris 1992; Hannover 1993; Den Haag 1994; Stuttgart 1995; Nickelsdorff 1998; Hannover 1998. Artists who have participated in VARIO formations include: Maarten Altena; Regina Baumgart (dancer); Steve Beresford; Udo Blickensdorf (acrobat); Lindsay Cooper; Axel Dörner; Katie Duck; Alexander Frangenheim; Wolfgang Fuchs; Mats Gustafsson; Andy Geer (pantomime); Gerd Gläsmer (drums); Michael Griener (percussion); Ulrich Gumpert; Bernd Halleck (actor); Shelley Hirsch; Tristan Honsinger; Guus Janssen; Sven-Åke Johannson; Theo Joling (clown); Peter Kowald; Gyde Knebusch (harp); Thomas Lehn; Paul Lovens; Rudi Mahall (bass clarinet); Radu Malfatti; Phil Minton; Torsten Müller; Christian Munthe; Maggie Nicols; Evan Parker; Melvyn Poore; Jon Rose; John Russell; Jo Sachse; Wolfgang Schliemdun (percussion); Detlef Schönenberg; Irène Schweizer; Günter Sommer; LaDonna Smith; Mariano Suarez (trumpet); Martin Theurer; Roger Turner; Peter van Bergen; Davey Williams; Stephan Wittwer.

Even outside VARIO, Christmann has longstanding interests in bringing together similar-minded artists from a variety of disciplines. This started in 1974 through a collaboration with dancer/choreographer Pina Bausch and was later continued with Elisabeth Clark and Regina Baumgart. These early experiments led to his interest in film, particularly the relationship between improvising musicians and experimental film-makers; his current work in this area goes under the banner Deja-vu, being a sequence of music-theatre scenes in which live music, acting, films and sound collage are brought together. At its centre is the playing musician who works both with and against the film and whose relationship with the situation on stage in constantly changing. Advantages are taken of the ability of film to snatch up, to double and enlarge, and to fragment what would otherwise be a traditional relationship between action, scenery and person. This results in an interchange and transformation of themes, properties and associations, and movement between illusion and reality. The films are by Günter Christmann, music is provided by Christmann and Michael Griener, and technical assistance is provided by Elke Schipper."

-European Free Improv (http://www.efi.group.shef.ac.uk/musician/mchrist.html)
4/19/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in Wuppertal, he studied sculpture at the academy of fine arts in Stuttgart and at the same time classical Doublebass with Reinald Schwarz, soloist of Stuttgart Philharmonics. Having encountered experimental music in his youth, beside classical playing he soon ventured into free improvisation as well as working with graphic notations in the ensemble of composer Klaus Fessmann, who holds a professorship at Salzburg Mozarteum. After having met Günter Christmann in the early 90s, who became a close friend over the years, a grant offered the possibility to go to London, where he finally was able to explode into a most intense period of sessions, collaborations, concerts and recording sessions, this all with help by John Russell, Chris Burn and John Butcher. Back in Stuttgart he was asked to teach experimental music at the academy of fine arts Stuttgart, which he did for a period of ten years and which led him to extended sound and performance explorations in collaboration with his students. He continued to organize the festival concepts of doing - Interaktion Tanz Musik (1992 - 2003) and, after an intense trip through many european countries meeting dancers for free improvisations and an invitation to the 5th Composers Choreographers Exchange (Southbank Center London), he was co-founding the production center for dance and performance Stuttgart. Being the head of this association for three years and after the festival of concepts of doing 2003, he pushed these structures aside for regaining breath and new freedom and inner engagement in life and arts. At the same time this moment was accompanied by his last days in ensemble zeitkratzer, which he was member of since its beginning in 1997 (performances of famous MMM by and with Lou Reed as well as music by alva noto, Merzbow, Lee Ronaldo, Elliott Sharp, DJ's a.o.).

2005 saw him establishing himself in a space in Berlin to seek new projects. Since then he has recorded three cds, created the music for the experimental film "Lupinen löschen" by Sabine Schöbel, which was shown at the Berlinale 2007, and started to work with analog electronics on the acoustic double bass as well as on an electric one, introducing this to his collaborations with dance.

He played in groups... trio with Jim Denley and Steve Noble; duo with Phil Durrant (cd); quintet with Evan Parker, Phil Wachsman, Thomas Lehn, Roger Turner; duo with Günter Christmann (cd); "Ein Quartett" with Bieler-Wendt, Kolkowski, Zimmerlin; trio with Chris Burn and Axel Dörner.

Projects with Günter Christmann: Sextett Vario 34 (cd) und "con moto" (music, dance, sound poetry, film) with David Zambrano, Urs Leimgruber, Fine Kwiatkofski, Elke Schipper (dvd).

Concerts with... Paul Lovens, John Butcher, Phil Minton, Derek Bailey, Sven-Ake Johannson, David Moss, John Russell, Johannes Bauer, LeQuan Ninh, Dietmar Diesner, LaDonna Smith, Malcolm Goldstein, Fred Frith, Vinko Globokar, Barry Guy, Torsten Müller, Carlos Zingaro, Fred van Hove, Urs Leimgruber, Mats Gustafsson, Dorothea Schürch, Herb Robertson, Alberto Braida, Michael Griener, Yumiko Tanaka a.o.

Intense work with dancers in diverse performing and rehearsing situations.

Collaborations with Julyen Hamilton, Vera Mantero, Benoit Lachambre, Ingo Reulecke, Josè Luis Sultàn, Mark Tompkins, Junko Wada, Fine Kwiatkofski, Regina Baumgart, David Zambrano, Sasha Waltz, Katie Duck, Joachim Schlömer, Thomas McManus, Nigel Charnock, Xavier Le Roy, Frans Poelstra, Virpi Pakhinen, Russell Maliphant, Anzu Furukawa, Pal Frenak, Anna Huber, Andreas Müller, Astrid Endruweit, Jennifer Lacey, Lin Yuang Shang.

concepts of doing. Between 1992 and 2003 he organized the festival "concepts of doing - Interaktion Tanz Musik" which became an important european plattform for the exchange of the arts inviting many notable artists for free collaborations during 4 days. (Please see: www.concepts-of-doing.de). cd: "screen. Festival concepts of doing 1999" mit Yoshihide, Turner, Leimgruber, Schürch, Parkins, Newton, Frangenheim.

Critics: "mikrotonale Edelsteine" (Markus Müller, Jazzthetik), "deliciously subversive" (Cadence), "music straight from the dynamo" (The Wire), "Frangenheim uses extended string techniques Gidon Cremer supplied for Luigi Nono" (The Wire).

Lives in Berlin since 2005. In preparation for creative space for 2009, which will allow him to continue his work with dance and other media.

Projects: trio with Chris Burn and Axel Dörner; quartet with Thomas Lehn, Le Quan Ninh, Frederic Blondy; duo with Günter Christmann /as well as other formations; trio with Floros Floridis and Ray Kaczynski; cds in prep: quartet with Moss/Bauer/Tanaka, quartet with Turner/Wachsman/Pat Thomas. performance project "streugut" together with Clausen, Reulecke, Rudstrom, Simon."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
4/19/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.
"Born 1964 in Umeå, Northern Sweden.Saxplayer, improviser and composer. Solo artist and international tours and projects with a.o. Sonic Youth, Merzbow, Jim O´Rourke, Barry Guy, Otomo Yoshihide, Yoshimi, Ken Vandermark and in working groups The Thing, FIRE!, Gush, Boots Brown, Swedish Azz and Fake (the facts). Large ensemble work with Barry Guy New Orchestra,FIRE! Orchestra and the NU - ensemble.over 1800 concerts and over 200 record productions in Europe, Australia, Africa, North & South America and Asia.Collaborations with contemporary dance, theater, art, poetry as well as projects with noise, electronica, contemporary rock and free jazz.Discaholic - running the discaholic corner website.Producer of international festivals and concert tours as well as work with own record labels Slottet, OlofBright Editions and Blue Tower Records."-Mats Gustafsson Website (http://matsgus.com/archives/category/bio)
4/19/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Thomas Lehn was Born in Fröndenberg (Germany) in 1958. Since the early 1980s Thomas Lehn has been working as a author and performer of contemporary music. After studying recording engineering - piano with Prof. Wilfried Kassebaum - at the Music Academy of Detmold in Germany, studies at the Music Academy of Cologne with Peter Degenhardt and Prof. Klaus Oldemeyer (classical piano) and with Frank Wunsch and Francis Coppieters (jazz piano) completed his academical education. In the 80ies he took part on courses of Studio for pianistic interpretation held by Prof. Jürgen Uhde.

As an interpreting pianist he has been playing concerts since 1982 - performing both contemporary new music including numerous first performances and traditional composed music of the classical and romantical period. In 1989 he initiated the chamber ensemble Trio Dario and four years later the Mengano Quartett, performing compositions of the contemporary avant-garde, in particular numerous first performances of comissioned works. Developed parallel to his work as a pianist, since the early 1990s his major and widely reknown work has been performing and producing live-electronic music. Rooted in the experience of a wide spectrum of musical fields based on his background as an interpreting and improvising pianist in classical-, contemporary and jazz-music and having been involved in numerous other projects like music theatre, dance, multi-media, studio pre-/post-production etc., he has been developing an individual 'language' of electronic music.

The electronic equipment he uses consists of analogue synthesizers of the late 1960s, and since 1994 in particular the EMS Synthi A. Besides the substantial sound qualities of its analogue synthesis, the facilities of this modular instrument - for example to modify electronic sounds very directly as well as to combine and to control several parameters of the sound synthesis at the same time - allows him to spontaneously act in close contact with the various structural degrees of the musical process.

In 2000 his solo album Feldstärken had been released on German label Random Acoustics. Up today, his discography enclosures about 80 CD publications. Numerous appearances at major international festivals of contemporary musics and concerts tours in Australia, Austria, Belgium, Canada, Croatia, Czech Republic, Denmark, England, Finland, France, Germany, Hungaria, Ireland, Israel, Italy, Japan, Lebanon, The Netherlands, New Zealand, Norway, Poland, Portugal, Serbia, Scotland, Slovakia, Slovenia, Spain, Sweden, Switzerland and the USA give evidence of his international profile and recognition.

He has been involved in projects promoted and/or supported by the Goethe-Institutes in Belgrade, Boston, Bratislava, Budapest, Chicago, Copenhagen, Glasgow, Lille, Lissabon, London, Manchester, Marseille, Milano, Montreal, Palermo, Rome, San Francisco, Tel Aviv, Tokyo, Toronto, Warsaw, Wellington and York. His musical activities enclosure long term and newer ensemble collaborations as well as involvements in numerous specific single projects. Long term collaborations are ensembles like KONK PACK, TOOT, THERMAL, FUTCH, MIMEO, SPEAK EASY, 6IX, VARIO-34, as well as the duo works with Marcus Schmickler, Tiziana Bertoncini, Gerry Hemingway, Paul Lovens, Frédéric Blondy Urs Leimgruber and John Butcher. More recently formed ensembles are the duos with Benoît Moreau and with the video artist Kjell Bjørgeengen, trio formations with John Butcher involving pianists John Tilbury and Matthew Shipp.

Further he is pianist and founding member of the ensemble]h[iatus, an ensemble for interpretation and improvisation of contemporary music, whichs members are all experienced interpreters and improvisers. The ensemble compiles concert programs integrating/alternating notated and real-time-created contemporary music. It has been first-performing commissioned works by Vinko Globokar, Peter Jakober, Jennifer Walshe, Anthony Pateras besides performing compositions of the contemporary repertoire. Besides performing his own electronic music, in the recent years Thomas Lehn became more active as a synthesizer interpreter of electronic compositions. The realisation of Boguslav Schaeffer's Electronic Symphony - live performed in 2010 and 2011 - has been documented on the CD PRES Scores on polish label Bolt/Monotype. In 2012 he world premierred OCCAM VI for synthesizer solo by Éliane Radigue at Berghain Berlin during festival Faithful! and - together with KlangForum Wien - dort for synthesizer and 15 piece ensemble by Austrian composer Peter Jakober at musikprotokoll Graz and at Konzerthaus Vienna."

-Thomas Lehn Website (http://www.thomaslehn.com/read/vita_e.html)
4/19/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in Aachen, Germany, 6 June 1949; Drums, percussion, musical saw, etc.

Paul Lovens played the drums as a child. Self-taught, from the age of 14 he played in groups of various jazz styles and popular musics and from 1969 has worked almost exclusively as an improvisor on individually selected instruments. He has worked internationally with most of the leading musicians in free jazz and free improvisation, among whom have included the Globe Unity Orchestra, the Berlin Contemporary Jazz Orchestra, the Schlippenbach trio, Quintet Moderne, Company, and a duo with Paul Lytton. He has undertaken concert tours in more than 40 countries, is a founder member of a musician's cooperative and has produced recordings for his own label, Po Torch Records since 1976. He has worked with painter Herbert Bardenheuer. Despite very rare solo performances, and although giving occasional concerts with ad-hoc groups and an involvement in projects with film, dance and actors, Paul Lovens' main interest and work is musical improvisation in fixed small groups. In the mid-1990s these small groups numbered around 16, of which a few were part of a special selection, called 'vermögen'.

Paul Lovens somehow epitomises the free drummer/percussionist who is not there to lay down the beat and kick everyone else into action but to listen, colour, contribute, guide, and occasionally direct, the overall cooperative sound. In concert one cannot fail to be moved by his intensity and concentration and there is an overiding feeling that even the most random events are somehow planned in time. In this respect, there is a nice irony that on the Nothing to read CD with Mats Gustafsson, Lovens describes his kit as consisting of 'selected and unselected drums and cymbals'. Miking seems to be a problem at times with some recordings giving him undue prominence and others insufficient. Good recordings are Elf bagatellen, Nothing to read, Pakistani pomade, and ,stranger than love."

-European Free Improv (http://www.efi.group.shef.ac.uk/mlovens.html)
4/19/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Tutti No. 1 7:46

2. Tutti No. 2 4:33

3. Trio: F/G/L 4:03

4. Duo: C/L 4:48

5. Tutti No. 3 6:17

6. Tutti No. 4 5:01

7. Duo: F/L 4:52

8. Trio: C/G/L 5:08

9. Tutti No. 5 4:34
sample the album:








descriptions, reviews, &c.

"Since its first iteration in 1979, Vario has appeared in some fifty different versions, with a great variety of musicians, also actors, dancers, and filmmakers.

It's the brainchild of Günter Christmann, a powerhouse of improvised music in Germany whose influence is out of scale with his acclaim. Since his emergence on the scene in the early 1970s, including appearances on classic FMP outings such as Rüdiger Carl Inc.'s King Alcohol and the eponymous Peter Kowald Quintet LP, as well as membership in groups like Globe Unity Orchestra and later King Übü Orchestrü, Christmann's trombone, cello, and bass playing has provided an icon of commitment to the cause of uncut improvised music, and his solo music is unparalleled. But Vario is perhaps the most central of his activities, focused on the shifting dynamics of group interplay.

Vario 34 first performed in October, 1993, bringing Christmann and his contemporary, brilliant percussionist Paul Lovens, together with a triad of young upstarts - saxophonist Mats Gustafsson, live-electronics specialist Thomas Lehn, and bassist Alexander Frangenheim. This quintet performed together for the third time in concerts on successive nights in Berlin and Christmann's hometown of Hannover in August, 2018, two gigs that were beautifully recorded.

Vario 34-3 shows the strength of Christmann's concept - a Vario ensemble is neither ad hoc nor a "working group," it's a slowly evolving organism, in this case one that has grown and changed along with its participants over the span of a quarter century. The results are high-caloric free music, brilliantly hued and textured, explosive and microcosmic."-Corbett vs. Dempsey

Related Categories of Interest:


Improvised Music
Free Improvisation
Jazz
European Improvisation and Experimental Forms
Quintet Recordings
Mats Gustafsson
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers


Other Releases With These Artists:
Fire!
Defeat
(Rune Grammofon)
Underflow, The (Gustafsson / Grubbs / Mazurek)
Instant Opaque Evening [VINYL 2 LPs]
(Blue Chopsticks)
Foussat, Jean-Marc / Thomas Lehn
Spielgelungen
(Fou Records)
Toyozumi, Sabu / Mats Gustafsson
Hokusai [VINYL]
(NoBusiness)
Toyozumi, Sabu / Mats Gustafsson
Hokusai
(NoBusiness)
Lovens, Paul / Florian Stoffner
Tetratne
(ezz-thetics by Hat Hut Records Ltd)
Thing, The (Gustafsson / McPhee / Haker Flaten / Nilssen-Love)
She Knows...
(ezz-thetics by Hat Hut Records Ltd)
Kowald, Peter Quintet
Peter Kowald Quintet
(Corbett vs. Dempsey)
Butcher, John / Thomas Lehn / Matthew Shipp
The Clawed Stone
(RogueArt)
Schlippenbach Quartet
Three Nails Left
(Corbett vs. Dempsey)
Various Artists (Barry Guy/Joelle Leandre/Rafal Mazur/Paal Nilssen-Love/Zlatko Kaucic/Agusti Fernandez/Mats Gustafsson/Ken Vandermark/Mikolaj Trzaska/Peter Brotzmann/Steve Swell/Per Ake Holmlander/Maya Homburger)
Not Two... But Twenty [5 CDs in Wooden Box]
(Not Two)
DUX Orchestra (Dave Sewelson / Mats Gustafsson / Susie Ibarra / Will Connell Jr. / Dave Hofstra / Walter "Sweet" Perkins / JC Morrison)
Duck Walks Dog (With Mixed Results) [VINYL]
(NoBusiness)
Fire! Orchestra / Krzysztof Penderecki
Actions [VINYL]
(Rune Grammofon)
Balderin Sali, The (feat Paul Lovens / Evan Parker / Philipp Wachsmann)
Variations [2 CDs]
(Leo Records)
Grubbs, David / Mats Gustafsson / Rob Mazurek
The Underflow
(Corbett vs. Dempsey)
Gustafsson, Mats / Wendy Gondeln / Wolfgang Voigt / Martin Siewert
The Shithole Country & Boogie Band
(Corbett vs. Dempsey)
Speak Easy (Wassermann / Minton / Lehn / Blume)
@ Konfrontationen
(Confront)
Gustafsson / Sandstrom / Werlin
This is From the Mouth [VINYL 1-SIDED PICTURE DISC]
(Utech Records)
McPhee, Joe / Mats Gustafsson
Brace For Impact
(Corbett vs. Dempsey)
Fite, Niklas / Alexander Frangenheim
Sugar Is A Necessary Fluid
(Creative Sources)
Gustafsson, Mats / Jason Adasiewicz
Timeless
(Corbett vs. Dempsey)
Rodrigues / Dorner / Torres / Frangenheim
Sin
(Creative Sources)
Lehn Schmickler (Thomas Lehn / Marcus Schmickler)
Neue Bilder
(Mikroton Recordings)
Frangenheim, Alexander / Nikolaus Neuser / Richard Scott
Trialectics
(Creative Sources)
Tamura, Natsuki / Alexander Frangenheim
Nax
(Creative Sources)
Frangenheim, Alexander
Talk For A Listener
(Creative Sources)
Rodrigues, Ernesto / Guilherme Rodrigues / Alexander Frangenheim
Underwater Music
(Creative Sources)
Schiano, Mario
Social Security
(Les Disques Victo)
Mats Gustafsson / Craig Taborn
Ljubljana [VINYL]
(Clean Feed)
Keune, Stefan / Lovens, Paul
Live 2013
(FMR)
Slobber Pup
Pole Axe [VINYL]
(Rarenoise Records)
Foussat, Jean-Marc / Les Autres
Alternative Oblique [4 CD Box Set]
(Improvising Beings)
Rodrigues / Dorner / Torres / Fragenheim
Nor
(Creative Sources)
Nilssen-Love, Paal / Mats Gustafsson
Sin Gas [Vinyl]
(Bocian)
Gustafsson, Mats
Torturing the Saxophone
(Corbett vs. Dempsey)
Crossland / Frangenheim
Ape Green
(Creative Sources)
Mehta, Rajesh (feat. Paul Lovens)
Orka
(Hatology)
Thing, The
Boot! [VINYL]
(The Thing Records)
Thing, The
Boot!
(The Thing Records)
Vandermark, Ken and Mats Gustafsson
Verses
(Corbett vs. Dempsey)
Sonore
OTO
(Trost Records)
Fields, Scott Multiple Joyce Orchestra
Moersbow Ozzo
(Clean Feed)
Fire! With Jim O'Rourke
Unreleased?
(Rune Grammofon)
Articles, The (Thomas / Gustafsson / Turner)
Goodbye Silence
(FMR)
Christmann / Schipper / Frangenheim
Core
(Creative Sources)
Grdina, Gord Trio with Mats Gustafsson
Barrel Fire
(Drip Audio)
Yoshihide / Ozeki / Gustafsson
with records
(Doubtmusic)
Gustafsson / Newman / Gennaro
Port Huron Picnic
(Spool)
Schlippenbach Trio
Gold Is Where You Find It
(Intakt)
Furt plus
Equals
(psi)
fORCH
Spin Networks
(psi)
Butcher / Durrant / Lovens /Malfatti / Russell
News From The Shed
(Emanem)
Gustafsson, Mats
Catapult (baritone sax solo)
(Doubtmusic)
Rowe, Keith / Nakamura, Toshi / Lehn, Thomas / Schmickler, Marcus
Erstwhile Live 002
(erstwhile)
Gregorio, Guillermo / Mats Gustafsson / Kjell Nordeson
Background Music
(Hatology)
Moor / Lehn / Butcher
Thermal
(Unsounds)
Recommended & Related Releases:
Underflow, The (Gustafsson / Grubbs / Mazurek)
Instant Opaque Evening [VINYL 2 LPs]
(Blue Chopsticks)
Foussat, Jean-Marc / Thomas Lehn
Spielgelungen
(Fou Records)
Toyozumi, Sabu / Mats Gustafsson
Hokusai [VINYL]
(NoBusiness)
Toyozumi, Sabu / Mats Gustafsson
Hokusai
(NoBusiness)
Thing, The (Gustafsson / McPhee / Haker Flaten / Nilssen-Love)
She Knows...
(ezz-thetics by Hat Hut Records Ltd)
DUX Orchestra (Dave Sewelson / Mats Gustafsson / Susie Ibarra / Will Connell Jr. / Dave Hofstra / Walter "Sweet" Perkins / JC Morrison)
Duck Walks Dog (With Mixed Results) [VINYL]
(NoBusiness)
Fire! Orchestra / Krzysztof Penderecki
Actions [VINYL]
(Rune Grammofon)
Balderin Sali, The (feat Paul Lovens / Evan Parker / Philipp Wachsmann)
Variations [2 CDs]
(Leo Records)
Speak Easy (Wassermann / Minton / Lehn / Blume)
@ Konfrontationen
(Confront)
Gustafsson / Sandstrom / Werlin
This is From the Mouth [VINYL 1-SIDED PICTURE DISC]
(Utech Records)
Fite, Niklas / Alexander Frangenheim
Sugar Is A Necessary Fluid
(Creative Sources)
Rodrigues / Dorner / Torres / Frangenheim
Sin
(Creative Sources)
Frangenheim, Alexander / Nikolaus Neuser / Richard Scott
Trialectics
(Creative Sources)
Tamura, Natsuki / Alexander Frangenheim
Nax
(Creative Sources)
Rodrigues, Ernesto / Guilherme Rodrigues / Alexander Frangenheim
Underwater Music
(Creative Sources)
Schiano, Mario
Social Security
(Les Disques Victo)
Mats Gustafsson / Craig Taborn
Ljubljana [VINYL]
(Clean Feed)
Keune, Stefan / Lovens, Paul
Live 2013
(FMR)
Slobber Pup
Pole Axe [VINYL]
(Rarenoise Records)
Foussat, Jean-Marc / Les Autres
Alternative Oblique [4 CD Box Set]
(Improvising Beings)
Rodrigues / Dorner / Torres / Fragenheim
Nor
(Creative Sources)
Nilssen-Love, Paal / Mats Gustafsson
Sin Gas [Vinyl]
(Bocian)
Crossland / Frangenheim
Ape Green
(Creative Sources)
Mehta, Rajesh (feat. Paul Lovens)
Orka
(Hatology)
Thing, The
Boot! [VINYL]
(The Thing Records)
Thing, The
Boot!
(The Thing Records)

Search for other titles on the Corbett vs. Dempsey label.