The Squid's Ear Magazine

Duplant, Bruno

Deux Songes (Les Jours Sont Faits Pour Expliquer Les Nuits)

Duplant, Bruno: Deux Songes (Les Jours Sont Faits Pour Expliquer Les Nuits) (Meenna)

Two beautifully subtle works for an ensemble of strings and electric piano from French composer Bruno Duplant, realized by the Boston-based Ordinary Affects ensemble or Jordan Dykstra, Morgan Evans-Weiler, JPA Falzone, Luke Martin and Ashley Frith, the first a quintet and the second a string quartet, creating illusory affects of motion and space through abstraction.
 

Price: $14.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Bruno Duplant-composer

Ordinary Affects-ensemble

Laura Cetilia-cello

Jordan Dykstra-viola

Morgan Evans-Weiler-violin

J.P.A. Falzone-Fender Rhodes

Luke Martin-guitar

Ashley Frith-viola


Click an artist name above to see in-stock items for that artist.




Label: Meenna
Catalog ID: meenna-976
Squidco Product Code: 27929

Format: CD
Condition: New
Released: 2019
Country: Japan
Packaging: Cardstock Sleeve, sealed
Track 1 recorded by Luke Damrosch, track 2 recorded by Luke Moldof.

Descriptions, Reviews, &c.

"French musician Bruno Duplant is one of the most talked-about artists on the experimental music scene today. In recent years he's presented many outstanding composed pieces and released a succession of excellent recordings on labels around the world. The abundance and vitality of his dwork are remarkable.

On this album, two compositions by Duplant are performed by Ordinary Affects, led by Boston-based musician/composer Morgan Evans-Weiler. Ordinary Affects is an experimental music ensemble with an established reputation for performing works by contemporary composers such as Christian Wolff, Antoine Beuger, Michael Pisaro, Jurg Frey, and Kyoko Akama.

Track 1 (21 minutes) is a quintet and Track 2 (26 minutes) is a string quartet. Each piece has a highly controlled, spacious tempo throughout. The sounds' overlapping and their successive emergence have a dreamlike quality that gently beckons the listener into a state of abstraction. Bruno Duplant's talent and originality as a composer and Ordinary Affects' excellence as performers are fully on display in this superb recording."-Meenna


Artist Biographies

"Bruno Duplant is a composer, improviser and multi-instrumentist (double bass, percussion, electronics, phonography...) living in the north of France. He has collaborated with lot of instrumentalists around the globe and has also made solo works for such labels as B-Boim, Engraved Glass, Peira, Ilse, Impulsive Habitat, Con-v, Unfathomless, Et le feu comme matière formatable technologiquement, Audiotong, Insubordinations and his own label curated with Pedro Chambel, Rhizome.s...

For him, composing, playing, improvising music is like imagining, creating and sometimes decomposing new spaces/realities, new entities. But it is also a reflection on 'memory', not the historic one, but a memory of all things, spaces & moments.

His new works, mostly based on phonographies & graphic scores, perfectly reflect that."

-Another Timbre (http://www.anothertimbre.com/az8.html)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Cellist and electronic musician Laura Cetilia is a performer, composer, educator, and presenter. A daughter of mixed heritage, she is at home with in-betweeness. As a composer, her music has been described as "unorthodox loveliness" by the Boston Globe and and her debut solo album was hailed as "alternately penetrating and atmospheric" in Sequenza 21. The Grove Dictionary of American Music describes her electroacoustic duo Mem1 as a "complex cybernetic entity" that "understands its music as a feedback loop between the past and present." Mem1 has held artist residencies and toured extensively throughout the U.S. and Europe. In her viola/cello duo, Suna No Onna, she has worked closely with and premiered works by composers André Cormier, Jürg Frey and Antoine Beuger, among others. As a product of the now-dwindling public school music program, Laura believes in the right to accessible music education and is a Resident Musician at Community MusicWorks, a non-profit organization that provides free after-school music education programs for children in urban neighborhoods of Providence, RI. There she teaches cello, is co-director of the media lab and the curator of the Ars Subtilior experimental music series. She is also a proud mother of one."

-Laura Cetilia Website (http://laura.cetilia.org/about/)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jordan Dykstra (b. 1985, Sioux City, Iowa) is a Brooklyn-based violist and composer exploring the performer-composer-listener relationship through the incorporation of conceptual, graphic, and text-based elements. In 2007 he moved to Portland, OR and became involved in the experimental music scene in the Pacific NW. Aside from performing and recording with individuals and bands - including Dirty Projectors, A Winged Victory for the Sullen with Hildur Guðnadóttir, Atlas Sound, and Valet - he worked at Marriage Records and Publishing House. In 2014 he received a Career Opportunity Grant from the Oregon Arts Commission to apprentice with Daníel Bjarnason, composer and conductor of the Icelandic Symphony Orchestra, in Reykjavík, Iceland. He received his BFA in 2016 under Michael Pisaro, Ulrich Krieger, and Wolfgang von Schweinitz at the California Institute of the Arts in Los Angeles. In 2018 he received his MA in Experimental Composition from Wesleyan University in Connecticut where - under the mentorship of Alvin Lucier and astrophysicist Seth Redfield - his thesis explored connections between microtonality and the cosmic distance ladder. In 2019 he received a Cultural Grant from the Netherlands-America Foundation to compose "The Arrow of Time" and premiere the work with Reinier van Houdt in Amsterdam. In 2020 The Arrow of Time was listed as one of the best Modern Composition albums by The Wire and included in The Best Contemporary Classical Albums of 2020 by Bandcamp. As a media composer he has numerous credits including the films Blow the Man Down, Hail Satan?, It Comes At Night, and the 2019 Emmy winner for Outstanding Investigative Documentary Documenting Hate. His compositions for film have been heard at Cannes, Sundance, TriBeCa, TIFF, and the IFFR. His performance highlights include MOCA (CA), Harpa (Iceland), Musikfestval Bern (Switzerland), Ftarri (Tokyo), CHAFF (Brussels), Echo Bücher (Berlin), Syros Institute (Greece), Yale Union (OR), Big Ears Festival (TN), and the RISD Museum (RI). Recordings of his music (solo and collaborative) have been issued by New World Records, Domino, Milan, Marriage, Mexican Summer, K, Gilgongo, and Dykstra's own cottage industry label Editions Verde."

-Jordan Dykstra Website (https://www.jordandykstra.com/)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Morgan Evans-Weiler, violinist, composer, improviser and teacher, is currently living in the Boston area working as a freelance musician and teacher.

He completed his bachelor's degree at Western Michigan University with a double degree in Music Composition and Performance studying with Renata Knific, Richard Adams, and Curtis-Curtis Smith. He studied violin further with Laura Bossert and jazz with Peter Cassino in Cambridge, Massachusetts. Currently he studies composition, theory, musicology, history and just about everything else with Peter Evans.

While in Michigan, he co-founded, performed with, and composed for the Nuevo tango band Barefoot Tango and the songwriting collective Blackwater Valley Songs. He also performed with the Traverse City and Battle Creek Symphony Orchestras, and the annual New Music Project. While in the Boston area, he has performed with the Modern American Music String Quartet, Longitude and various jazz and free-jazz groups. He has played in and composed music for performances at The Regattabar, Lilypad, and Pickman Hall (Longy School of Music) in Cambridge, as well as numerous halls and art spaces throughout Michigan.

Recently, he performed a full concert of music at Outpost 186 in Cambridge, Massachusetts. The concert included performances of several of Morgan's new works as well as performances of the works of Ruth Crawford-Seeger, Steve Reich and Ornette Coleman.

He continues to compose and perform in the Boston area."

-Morgan Evans-Weiler Website (https://morganevansweiler.wordpress.com/about/)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"J.P.A. Falzone is a keyboard player and vibraphonist, a composer and song writer. He is the coordinator of Providence Research Ensemble and Providence Keyboard Ensemble."

-Squidco 12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Luke Martin is an experimental composer, performer, and writer living in Minneapolis, MN. He plays guitar and no-input mixing board, often with people in and around the Wandelweiser Group, and is part of the ensemble Ordinary Affects. Luke's work is mainly oriented toward thinking - particularly by way of silence as such - a positive relation between music and truth.

-Luke Martin Website (http://www.lukecmartin.com/about.html)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Ashley Frith - Composer/Musical Director/Viola

Artist and educator, Ashley Frith, is a former Viola Fellow at Community MusicWorks in Providence, RI. She studied viola with Lila Brown at The Boston Conservatory. Ashley has held resident musician and teaching artist positions with Newport String Project, Revolution of Hope, and the Greater Miami Youth Symphony. She's interested in the use of sound as a healing modality, in combination with mindful practices, and the effect these tools can have on mental health. Ashley currently holds the position of Network Fellow at Community MusicWorks, exploring and sharing anti-racism work through self-love practices across a network of youth arts organizations."

-Trinity Rep (https://www.trinityrep.com/people/ashley-frith/)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Un Lieu Des Souvenirs (Quintet) 21:00

2. Le Reve de la Nuit (String Quartet) 26:00

Related Categories of Interest:


Compositional Forms
Ambient & Minimal Music
Large Ensembles
Stringed Instruments
Quintet Recordings
Quartet Recordings
European Improvisation, Composition and Experimental Forms
Boston Area Improvisers
New in Compositional Music
Staff Picks & Recommended Items

Search for other titles on the label:
Meenna.


Recommended & Related Releases:
Evans-Weiler, Morgan
Correspondences
(Editions Verde)
The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.
Dykstra, Jordan
A Known Unknown [CDr w/ Score Booklet]
(Editions Verde)
A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.
Duplant, Bruno
Paysages Sans Age III
(Sublime Retreat)
Two encompassing and tranquil works of sound from French composer Bruno Duplant, the album title translating to Ageless Landscapes as Duplant envisions two terrains through slow motion tones, piano and synthetics, evocatively described in an accompanying poem that conjures expansive fog, blurred trees, hawks slowly spiraling, a history in a hillside.
Musicworks
#143 Fall 2022 [MAGAZINE + CD]
(Musicworks)
Fall 2022 issue of Canada's most fascinating and diverse music magazine; Montreal Violinist And Composer Jessica Moss; Musical Repatriation and Reconciliation with Canada's Indigenous Peoples; sound artist Tona Walt Ohama; Interdisciplinary Artist Chloe Alexandra Thompson; electronic artist Mariana Vieira; Jordan Dykstra; Sabarah Pilon; The London Contemporary Music Festival, &c. &c.
Other Recommended Releases:
Moons (Berkson / Cetilia / Porter / Tavolacci)
Moons
(Editions Verde)
Moons' debut album features long-time collaborators Judith Berkson, Laura Cetilia, Katie Porter, and Christine Tavolacci, each contributing a composition blending accordion, voice, cello, clarinets, and flutes, with works exploring memory through tunings, divine visions, impermanent graphic scores, and micro-intervals to create dynamic, shifting sonorities and felt-time improvisation.
Baron, Derek / Luke Martin
Distinct and Concealed [CASSETTE + DOWNLOAD]
(Notice Recordings)
NY composer & keyboardist Derek Baron meets with Minneapolis experimental composer & performer Luke Martin at Zeitgeist Center in New Orleans and at Resource Space in Minneapolis, MN to record these live performances on piano, keyboard, no-input mixing board and cassette recordings; minimal works of tension and release, incorporating movement, audience and room sounds into their contemporary improvisations.
Duplant, Bruno / Rutger Zuydervelt
Edge Of Oblivion
(Machinefabriek)
The third collaboration between sound and electronic artists Bruno Duplant and Rutger Zuydervelt (Machinefabriek) is a darkly heavy and dramatic work of subtle motion that slowly unfolds and shifts through vast sonic environments, fueled by acousmatic sources that take the listener to the edge of darkness and then pulls them back in warm waves or rich ambiance.
Olsen, Lance Austin / Bruno Duplant
Coincidence
(Ftarri)
A single extended duo performance from improviser, composer and leader of the Infrequency Editions label, Lance Austin Olsen, performing on guitar, field recordings, wax cylinder recordings, MIDI organ & amplified objects, along with French pianist, composer and improviser Bruno Duplant, also credited with "sounds", a moody and tense work that meticulously uses innuendo and space.
Evans-Weiler, Morgan
Correspondences
(Editions Verde)
The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.
Dykstra, Jordan
14 Horse Bells
(Editions Verde)
Recorded in Brooklyn by Jordan Dykstra performing on viola, electronics, percussion & programming, this is the second release in his subharmonic series "Seeing the Forest in a Tree", exploring one conceptual idea with four radically different realizations through arrangements contrasting the acoustic sources of viola & bells with prepared speakers and sine-tones.
Dykstra, Jordan
Globes (Original Soundtrack Album)
(Editions Verde)
The original score composed by Brooklyn violist and multi-instrumental Jordan Dykstra for the documentary movie Globes directed by Nina de Vroome, exploring the relationship between bees and humans through their history and affect on the global economy and our cultures, realized in a diverse set of contemporary musical forms from orchestral to electronica.
Dykstra, Jordan / Brian McOmber
Blow the Man Down (Original Motion Picture Soundtrack)
(Editions Verde)
A powerful set of succint compositions, themes and sea shanties for the soundtrack for Danielle Krudy and Bridget Savage Cole's film Blow the Man Down , scored through the collaboration of composers Jordan Dykstra, who also performs on viola, piano, prepared piano, vibraphone & percussion, and Brian Mcomber, who also performs on keyboards and percussion.
Dykstra, Jordan
A Known Unknown [CDr w/ Score Booklet]
(Editions Verde)
A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.
Dykstra, Jordan
Stressings
(Editions Verde)
Exploring diverse landscapes and moments of extreme behavior changes through a single acoustic viola, composed and performed by Jordan Dykstra, in four pieces that vary his approach to the instrument through overlapping tones, drones, extended techniques and rolling cycles, performed in California at the California Institute of the Arts and at the Cathedral of Saint Vibiana.
Lucier, Alvin
One Arm Bandits
(Important Records)
Using only their right arms and never fingering the strings with their left hand, this recording of Alvin Lucier's "One Arm Bandits" was recorded in Lucier's own dining room, the hour-long piece in four parts exploring the relationship between bow direction changes and shifts in phase, scored for four cellists and performed by Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann.
Duplant, Bruno
Le Jour D'apres
(Sublime Retreat)
A dark journey into a nocturnal world of synthetic tones and urban environments, emerging from footsteps and impressions of the passing world imbued through vaporous and skewed progressions, like moonlight piercing through a veil, from French composer and electroacoustic artist Bruno Duplant in an extended work dedicated to Belgian pianist Guy Vandromme.
Duplant, Bruno / Seth Nehil
The Memory Of Things
(Sublime Retreat)
An immersive and often explosive set of dark compositions from Seth Nehil & Bruno Duplant, blending field recordings, electronics, percussion and percussive objects into a controlled chaos of inexplicably murky and uncategorizable sounds, at times like a surreal firework display, or inserted into a complex machine on the verge of collapse, all imbued with a consistent resonant hue.
Vandromme, Guy / Bruno Duplant
l'infini des possibles (12 etudes pour piano) [2 CDs]
(elsewhere)
Twelve etudes for solo piano by French composer Bruno Duplant and interpreted by pianist Guy Vandromme, each etude consisting of eight lines of lowercase letters a-g representing white keys, with accents, uppercase shifts, apostrophes, &c. affecting those letters, the performer given an "infinity of possibilities" through choices of combinations and repetions of the score.
Dykstra, Jordan / Koen Nutters
In Better Shape Than You Found Me
(elsewhere)
The first album from the duo of American composer & violinist Jordan Dykstra and Dutch composer Koen Nutters, developed by exchanging material of ambient & spacious nature using slow chord development, field recordings, viola, pitch pipe, crotales, piano EBow and electronic programming, the resulting work diverse and constantly evolving through fascinating details.
Breylin, Aaron Foster / Luke Martin
Recursive Retent
(Edition Wandelweiser Records)
Excerpting part of an eight-hour performance recorded over an amplified live environment of a text score for two pianists using one piano, each positioned at the opposite registers of the piano, one player creating a block of note phrases using intervals of a 2nd or 3rd with each note allowed to decay before the next, repeated by the other player following a set of rules.
Granberg, Magnus (w/ Miki Maruta / Ko Ishikawa / Toshimaru Nakamura)
Come Down to Earth Where Sorrow Dwelleth
(Meenna)
Stockholm composer Magnus Granberg's first visit to Japan was to perform at the 2019 Ftarri Festival, adapting his extended and subtle work "Come Down to Earth Where Sorrow Dwelleth", originally composed for the Boston ensemble Ordinary Affects, here reworked for sho, koto, prepared piano and electronics performed by Ko Ishikawa, Miki Maruta and Toshimaru Nakamura.
Jun, Yan / Jean-Luc Guionnet / Matija Schellander / Seijiro Murayama
Blue Mistake, Red Mistake
(Meenna)
While contrabass player Matija Schellander was performing a residency at the 2017 music Festival Artacts in Austria, this quartet formed with Paris saxophonist Jean-Luc Guionnet, percussionist Seijiro Murayama and Beijing-based vocalist Yan Jun, developing this work of quiet tension and sudden release, here from one of four performances, recorded live at Ljubljana in Slovenia.
Falzone, J.P.A. / Morgan Evans-Weiler
Chordioid [2 CDs]
(Another Timbre)
2 CDs of works for violin, piano & vibraphone, composed and performed by two young American composers and members of the ensemble Ordinary Affects, who have recorded music by the Jurg Frey, Magnus Granberg, Michael Pisaro, Eva Maria Houben, &c.; the 1st disc presents the Feldman-esque work of JPA Falzone, while the 2nd contains an exquisite new work by Morgan Evans-Weiler.
Duplant, Bruno / Pierre Gerard
Soleil Clandestin
(Edition Wandelweiser Records)
Five "Soleil Clandestin" soundscapes using abstract voice, guitar, electronics, field recordings & percussion from sound artists Bruno Duplant and Pierre Gerard, on the surface peaceful, minimal and using space and silence, but buried inside are disquieting additions through vocal abstractions placed in unusual position to the sound; curious and captivating.
Frey, Jurg
Fields, Traces, Clouds
(Edition Wandelweiser Records)
Three compositions from clarinetist and Wandelweiser peer Jurg Frey, performed by Luke Martin on electric guitar, Laura Cetilia on cello, J.P.A. Falzone on piano & vibraphone, Morgan Evans-Weiler on violin, and Jurg Frey himself on clarinet; beautifully reflective music indicating Frey's working method and his relationship with wide, quiet sound spaces.
Sugimoto, Taku
Guitars
(Meenna)
Three concisely plain compositions for guitar, two solo and one trio, are played only with open strings or natural harmonics, where all the tunings are respectively irregular, written by Tokyo-based guitarist and composer Taku Sugimoto and performed and recorded in St. Petersburg, Russia by guitarists Andrey Popovsky, Denis Sorokin and Alexander Markvart.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC