The Squid's Ear Magazine


Naughton, Bobby / Wadada Leo Smith / Perry Robinson: The Haunt (NoBusiness)

Reissuing Otic Records' 1976 LP "The Haunt" led by Bobby Naughton on vibes in a trio with Wadada Leo Smith on trumpet, and Perry Robinson on clarinet, very much in the India Navigation / loft scene vein of forward-thinking free improvisation: spacious and thoughtful as the players meticulously develop their concepts with uncompromising skill and artistry.
 

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product information:

Personnel:



Bobby Naughton-vibraharp

Wadada Leo Smith-trumpet

Perry Robinson-clarinet


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Label: NoBusiness
Catalog ID: NBCD 105
Squidco Product Code: 26155

Format: CD
Condition: New
Released: 2018
Country: Lithuania
Packaging: Jewel Case
Recorded at Blue Rock Studio, in New York City, New York, on April 21st, 1976. Originally released on Otic Records in 1976 as catalog code OTIC 1005.

Descriptions, Reviews, &c.

"You might have heard the cheer go up with the reissue of The Haunt, vibraphonist Bobby Naughton's 1976 trio recording with trumpeter Wadada Leo Smith and clarinetist Perry Robinson. Crate diggers have treasured the long out-of-print original release on Naughton's Otic Records. Thanks to Lithuania's NoBusiness Records, we have this important document remastered, plus an additional alternate take of "Slant."

Turning our wayback machine to the mid-1970s, creative jazz was being supplanted by jazz/rock and fusion. Miles Davis and Thelonious Monk were in self-imposed exiles and the creative world of the New York loft scene was all but unnoticed by major labels. Besides Naughton, Smith created his own label, Kabell Records to release his original music.

Quite a valuable document, this recording finds an intersection between chamber music and improvised jazz that had yet to be validated. Certainly, we had Jimmy Giuffre's trio free jazz Free Fall (Columbia, 1963), but this music feels more spacious and textured. Naughton, who began life as a pianist, applies a keyboard approach to his vibraharp. Notes are dispatched with an ever expanding touch, drifting and levitating while interweaving with Smith and Robinson's horns.

Both Naughton and Smith were Connecticut residents at the time, and both influenced each other. They co-founded The Creative Music Improvisers' Forum, which was modeled after Chicago's AACM, both were members of Anthony Braxton's Creative Orchestra, and Naughton can be heard on Smith's early ECM Recordings Divine Love (1979) and Spirit Catcher (1979), plus the yet to be reissued Leo Smith Trio The Mass On The World (Moers Music, 1978).

With the edition of Robinson's clarinet, Naughton adds a veteran of recoding sessions with Archie Shepp, Henry Grimes, Gunter Hampel, and Charlie Haden's Liberation Music Orchestra. He sounds both old school-ish and very modern at the same time. The music is delivered sans drummer and bassist, thus time is relative concept here. It is meditative in a slippery and dreamy manner, while also being carefully composed. Magic without a sleight of hand."-Mark Corroto, All About Jazz



This album has been reviewed on our magazine:

The Squid
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Get additional information at All About Jazz

Artist Biographies

"Bobby Naughton is self-taught as a performer and composer. After playing in rock-and-roll groups he took up the vibraphone in 1966, and in the late 1960s played with Perry Robinson, Sheila Jordan, and others. He continued to work intermittently with Robinson while recording as a leader from 1969 on his own label, Otic; in 1971 he wrote a score for Hans Richter's silent film Everyday (1929). He played with the Jazz Composer's Orchestra in 1972 and Leo Smith (from the mid 1970s), and joined the Creative Music Improvisors Forum in New Haven, Connecticut. Naughton's vibraphone playing, like that of Gunter Hampel, emphasizes the instrument's role in group improvisation rather than its possibilities as a solo vehicle. He plays fluently with four sticks, exploits the vibraphone's overtones, and sometimes controls manually the instrument's vanes (which vary its sound intensity). His piano playing (which may be heard on the first of his own albums) has a melodic strength and terseness reminiscent of Paul Bley.Roger Dean, The New Grove Dictionary of Jazz, copyright Macmillan Reference Ltd 1988."

-Bobby Naughton Website (http://www.bobbynaughton.com/bio.php)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Ishmael Wadada Leo Smith: trumpeter and multi-instrumentalist, composer and improviser has been active in creative contemporary music for over forty years. His systemic music language Ankhrasmation is significant in his development as an artist and educator.

Born in Leland, Mississippi, Smith's early musical life began in the high school concert and marching bands. At the age of thirteen, he became involved with the Delta Blues and Improvisation music traditions. He received his formal musical education with his stepfather Alex Wallace, the U.S. Military band program (1963), Sherwood School of Music (1967-69), and Wesleyan University (1975-76). Mr. Smith has studied a variety of music cultures: African, Japanese, Indonesian, European and American.

He has taught at the University of New Haven (1975-'76), the Creative Music Studio in Woodstock, NY (1975-'78), and Bard College (1987-'93). He is currently a faculty member at The Herb Alpert School of Music at California Institute of the Arts. He is the director of the African-American Improvisational Music program, and is a member of ASCAP, Chamber Music America, and the Association for the Advancement of Creative Musicians.

Mr. Smith's awards and commissions include: MAP Fund Award for "Ten Freedom Summers" (2011), Chamber Music America New Works Grant (2010), NEA Recording Grant (2010), Fellow of the John Simon Guggenheim Memorial Foundation (2009-2010), Other Minds residency and "Taif", a string quartet commission (2008), Fellow of the Jurassic Foundation (2008), FONT(Festival of New Trumpet) Award of Recognition (2008), Jazz Journalists Association Jazz Award (2005), Islamic World Arts Initiative of Arts International (2004), Fellow of the Civitela Foundation (2003), Fellow at the Atlantic Center for the Arts (2001), "Third Culture Copenhagen" in Denmark-presented a paper on Ankhrasmation (1996), Meet the Composer/Lila Wallace-Reader's Digest Commissioning Program (1996), Asian Cultural Council Grantee to Japan (June-August 1993), Meet the Composer/Lila Wallace-Reader's Digest Commissioning Program (1990), New York Foundation on the Arts Fellowship in Music (1990), Numerous Meet the Composer Grants (since 1977), and National Endowment for the Arts Music Grants (1972, 1974, 1981).

Mr. Smith's music philosophy Notes (8 Pieces) Source a New. World Music: Creative Music has been published by Kiom Press (1973), translated and published in Japan by Zen-On Music Company Ltd. (1976). In 1981 Notes was translated into Italian and published by Nistri-Litschi Editori.

He was invited to a conference of artists, scientists and philosophers "Third Culture Copenhagen" in Denmark 1996, and presented a paper on his Ankhrasmation music theory and notational system for creative musicians. His interview was recorded for Denmark T.V., broadcasted September 1996.

Some of the artists Mr. Smith has performed with are : Muhal Richard Abrams, Anthony Braxton, Leroy Jenkins, Roscoe Mitchell, Lester Bowie, Richard Teitelbaum, Joseph Jarman, George Lewis, Cecil Taylor, Andrew Cyrill, Oliver Lake, Anthony Davis, Carla Bley, David Murray, Don Cherry, Jeanne Lee, Milton Campbell, Henry Brant, Richard Davis, Tadao Sawai, Ed Blackwell, Sabu Toyozumi, Peter Kowald, Kazuko Shiraishi, Han Bennink, Misja Mengelberg, Marion Brown, Kazutoki Umezu, Kosei Yamamoto, Charlie Haden, Kang Tae Hwan, Kim Dae Hwan, Tom Buckner, Malachi Favors Magoustous and Jack Dejohnette among many others.

Mr. Smith currently has three ensembles: Golden Quartet, Silver Orchestra, and Organic. His compositions have also been performed by other contemporary music ensembles: AACM-Orchestra, Kronos Quartet, Da Capo Chamber Player, New Century Players, San Francisco Contemporary Music Players, Contemporary Chamber Players (University of Chicago), S.E.M. Ensemble, Southwest Chamber Music, Del Sol String Quartet, New York New Music Ensemble, ne(x)tworks, and California E.A.R. Unit.

Mr. Smith's music for multi-ensembles has been performed since 1969. "Tabligh" for double-ensemble was performed by Golden Quartet and Classical Persian ensemble at Merkin Concert Hall (2006) and by Golden Quartet and Suleyman Erguner's Classical Turkish ensemble at Akbank Music Festival in Istanbul (2007). His largest work "Odwira" for 12 multi-ensembles (52 instrumentalists) was performed at California Institute of the Arts (March 1995). His Noh piece "Heart Reflections" was performed in Merkin Concert Hall, NY (November 1996)."

-Wadada Leo Smith Website (http://www.wadadaleosmith.com/pages/bio.html)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Perry Morris Robinson (born September 17, 1938) is an American jazz clarinetist and composer. He is the son of the composer Earl Robinson.

Robinson was born and grew up in New York City. He attended the Lenox School of Jazz in Massachusetts in the summer of 1959. Robinson served in a U.S. military band in the early 1960s. His first record, Funk Dumpling (with Kenny Barron, Henry Grimes, and Paul Motian) was recorded in 1962. He also appeared with Grimes on The Call in 1965, on the ESP-Disk label (ESP 1026). Although the album is credited to "Henry Grimes Trio" the album liner notes, written by ESP-Disk label head Bernard Stollman, state: "[Grimes] chose Perry Robinson, a virtuoso who merits far wider recognition, to pair with, and this recording reflects both of their contributions, in equal measure. A more accurate title for the album would be Henry Grimes/Perry Robinson." Two of the album's six songs are credited to Robinson, including the title track. An LP copy of this album can be seen hanging on the wall of the protagonist's apartment in the 2006 film Half Nelson.

Since 1973 he has worked with Jeanne Lee and Gunter Hampel's Galaxie Dream Band. He contributed to Dave Brubeck' s Two Generations of Brubeck and played with Burton Greene' s Dutch klezmer band Klezmokum. He was the featured clarinetist on Archie Shepp's LP Mama Too Tight on Impulse Records. He has led his own groups in performances and on record, with albums on the Chiaroscuro, WestWind, and Timescraper labels. More recently, he worked with William Parker and Walter Perkins on Bob's Pink Cadillac and several discs on the CIMP label.

From 1975 until 1977, Robinson was member of a band called Clarinet Contrast, featuring German clarinet players Theo Jörgensmann and Bernd Konrad. He has recorded with Lou Grassi as a member of his PoBand since the late Nineties, and with Lou Grassi, Wayne Lopes and Luke Faust in The Jug Jam, an improvisational jug band. He plays in a free jazz and world music trio along with tabla player Badal Roy and bassist Ed Schuller, with whom he recorded the CD Raga Roni. He has played with Darius Brubeck and Muruga Booker in the MBR jazz trio. Robinson also played an integral part in the formation of Cosmic Legends, an improvisational music/performance group led by composer/pianist Sylvie Degiez which included musicians Rashied Ali, Wayne Lopes, Hayes Greenfield, and Michael Hashim. In 2005 he was featured on his cousin Jeffrey Lewis' album City and Eastern Songs on Rough Trade Records, produced by Kramer. His most recent release was OrthoFunkOlogy in 2008 with the band Free Funk, also featuring Muruga Booker, Badal Roy, and Shakti Ma Booker.

His autobiography, Perry Robinson: The Traveler (co-authored by Florence F. Wetzel), was published in 2002."

-Wikipedia (https://en.wikipedia.org/wiki/Perry_Robinson)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. The Haunt 7:18

2. Slant 5:45

3. Places 8:11

4. Rose Island 9:14

5. Ordette 9:11

6. Slant (alternate take) 6:49

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Trio Recordings
Smith, Leo
Jazz Reissues
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NoBusiness.


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