"A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.

Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.

Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label."

"Jeb Bishop was born in Raleigh, North Carolina during the Cuban missile crisis. He began playing the trombone at the age of 10, under the tutelage of Cora Grasser. Other influential teachers during junior high and high school included Jeanne Nelson, Eric Carlson, Richard Fecteau, Greg Cox, and James Cozart.

He majored in classical trombone performance at Northwestern University from 1980-82, studying with Frank Crisafulli. Deciding he did not want to pursue a career as an orchestral musician, he returned to Raleigh in 1982 and took up engineering studies at NC State University. Raleigh's developing underground rock scene attracted him, and from 1982-84 he played bass guitar in rock bands in the Raleigh area.

At the same time, he developed an interest in philosophy, eventually majoring in the subject, and spent 1984-85 studying philosophy at the Higher Institute of Philosophy of the Catholic University of Louvain, Belgium.

Returing to Raleigh in 1985, he spent the next few years working at menial jobs and playing guitar, bass, cheap keyboards, drums, etc., in rock bands including and/or, the Angels of Epistemology, Egg, and Metal Pitcher.

In 1989 he left Raleigh to pursue graduate studies in philosophy, first at the University of Arizona, then at Loyola University of Chicago (where he was awarded the Crown Fellowship in the Humanities). During 1991-92 he returned to Europe, spending the summer of 1991 studying German at the Goethe-Institut Iserlohn (now closed), and then pursuing independent studies in philosophy at the French-language division of the University of Louvain.

Returning to Chicago in 1992, he completed his M.A. at Loyola in 1993. By this time he had already begun to make connections with improvising musicians in Chicago, having joined the Flying Luttenbachers as bassist (later adding trombone) in late 1992, and playing guitar occasionally in a quartet with Weasel Walter, Ken Vandermark, and Kevin Drumm. Other bands during this period included the Unheard Music Quartet (with Vandermark, Mike Hagedorn on trombone, and Otto Huber on drums) and the Rev Trio (with Walter and saxophonist Joe Vajarsky). Bishop played electric bass in both these bands.

In late 1995, Bishop joined the Vandermark 5 as one of its founding members, and remained with the band through the end of 2004. During this period he also became associated with many other groups, including the Peter Brötzmann Chicago Tentet, School Days, Ken Vandermark's Territory Band, and his own Jeb Bishop Trio, and became a very frequent participant in ad hoc and free-improvised concerts in Chicago. Bishop performed in the inaugural concerts of two of the longest-running free-music concert series in Chicago: the Myopic Books weekly concerts (originally at Czar Bar; with Rev Trio) and the Empty Bottle Wednesday night concert series (with a quartet of Terri Kapsalis, Kevin Drumm, and Jim O'Rourke). He curated the monthly Chicago Improvisers Group concerts at the Green Mill from 1999-2002, and co-curated the weekly Eight Million Heroes concert series at Sylvie's in 2005-6.

Bishop has made dozens of recordings with many different groups, has toured North America and Europe many times, and maintains a busy performing schedule."

"The music of saxophonist and composer Jorrit Dijkstra (Eindhoven, Netherlands, 1966) draws from the jazz tradition in spirit and sound, but has crossed stylistic and cultural borders in order to express a strong, evolving personal vision. He spent his formative years in Amsterdam's vibrant improvisation community playing jazz, free improvisation, and world music. Since moving to the United States in 2002, Dijkstra has deepened his affinity with the experimental forces of American music, while staying in touch with his Dutch musical roots. Jorrit works as a composer and is an Associate Professor at Berklee College of Music and a faculty member of the New England Conservatory in Boston.

Dijkstra's recent projects include The Whammies play the Music of Steve Lacy, with leading Chicago, Boston, and Amsterdam improvisers, and duos with drummer/composer John Hollenbeck and trombonist Jeb Bishop. In Boston he leads the free improvisation quartet BOLT. In his solo project, he incorporates an array of electronic effect devices to process his saxophone improvisations live on stage. Dijkstra's use of analog electronics - including the Lyricon, a vintage electronic wind instrument from the seventies - extends his already flexible saxophone style into an idiosyncratic mix of cool jazz, free improvisation, and electronic minimalism.

Jorrit's work as a composer balances between similar stylistic boundaries. Commissioned by the North Sea Jazz Festival 2009, Pillow Circles brings together eight top improvisers in a mesmerizing sound world filled with indie guitar-rock and free jazz influences. His ongoing project Music for Reeds and Electronics explores the sonic possibilities of reed and electronics players in different improvisation communities in North America and Europe. Dijkstra has received other commissions from the David Kweksilber Big Band, Tetzepi Big Band, Amstel Saxophone Quartet, Kaida Duo, Duo X, The Harvard Jazz Band, electric guitarist Wiek Hijmans, saxophonist Ties Mellema, and bass clarinetist Fie Schouten. His commissioned works often incorporate electronic soundtracks and various forms of improvisation. Dijkstra's work has won him a Fulbright grant and the prestigious Podium Prize for jazz musicians in the Netherlands.

Jorrit has released eighteen CDs as a leader, and has participated in projects ranging from Anthony Braxton's Ghost Trance and Guus Janssen's opera Noach to a rare live performance of Texas outsider musician Jandek. He studied improvisation and composition with Misha Mengelberg, Steve Coleman, Steve Lacy, Bob Brookmeyer and Lee Hyla. He is co-founder of the artist-run label Driff Records. Jorrit is an Associate Professor at Berklee College of Music and a faculty member of the New England Conservatory in Boston."

"Nate McBride, who was born in 1971, is a very versatile double-bassist and electric bassist, and has performed with such important musicians as Dennis Gonzalez, Pandelis Karayorgis, and Ken Vandermark. McBride is a Boston native, and recently relocated to Chicago, Illinois.

He has played in the groups: Bathysphere, Bridge 61, Dennis González Boston Project, Dull Thud Trio, FME, Jason Adasiewicz's Sun Rooms, Joe Morris Quartet, Joe Morris Trio, MI3, New Fracture Quartet, Pandelis Karayorgis Quintet, Pandelis Karayorgis Trio, Powerhouse Sound, Predella Group, Riot Trio, Spaceways Incorporated, The Engines, The Frame Quartet, The Whammies, Tripleplay, Wheelhouse"

"In 2008, Curt performed with the following:

the mi3 (w/ Pandelis Karayorgis, piano and Fender Rhodes; Nate McBride, bass)The Blooming (w/ Tom Hall, tenor saxophone; Jeff Song, cello and bass)Nate McBride Quartet (w/ Charlie Kohlhase, saxophones; Taylor Ho Bynum, brass; Nate McBride, bass)blues trio Middlewest (w/ Paul Trunnell and Bill Boehm, guitars and vocals)Dave Bryant QuartetKevin Frenette QuartetMetal and Glass Ensemblesubbing for The Blue Ribbons

Prior work includes: a long association with Chicago saxophonist and composer Ken Vandermark, dating back to 1986 and including four CDs; several years and three CDs with Joe Morris; a duo for Korean kayagum and chang-go with Jeff Song; and performances with musicians like sOo-Jung Kae, Jim Hobbs, Hans Poppel, Eric Hofbauer, Greg Kelley, Jorrit Dijkstra, Gabe Birnbaum, Jody Blackwell, The Poppies, Inner Beauty ....

Percussion Performances

"Curt Newton studied drum set with Bob Gullotti and has a Master of Music degree in Jazz Performance from the New England Conservatory of Music. His musical influences and interests, in no particular order, have included Max Roach, Andrew Cyrille, Steve Shelly, Gerry Hemingway, Joey Baron, Paul Lovens, Bob Gullotti, Ornette Coleman, Charles Mingus, Eric Dolphy, Cecil Taylor, Son House, Captain Beefheart, Igor Stravinsky, Iannis Xenakis, Witold Lutoslawski, and the traditional music of Morocco, Ghana, Egypt, Turkey and Greece.

Curt has periodically developed a solo drumset repetoire, with original compositions, improvisations, and works for drumset by other composers. Select peformances include

an all-drumset concert with master drummers Alan Dawson and Bob Gullotti (1992)

world premiere of John Zorn's Hwang Chin Ee for two drumsets and narrator (New England Conservatory, 1996)

original transcription of Lutoslawski String Quartet for solo drumset (1997)

activating Chen Zhen's sculpture Jue Chang (50 Strokes to Each) at Boston's Institute of Contemporary Art (2002)

Chen Zhen's Jue Chang"