The Squid's Ear Magazine


Wadham, Rachael / Philippe Lenglet / Bruno Duplant: everydayisagoodday (Confront)

Starting from John Cage's Zen quote--"Every day is a good day"--the trio of Rachael Wadham on piano, Philippe Lenglet on acoustic guitar and cithar (a type of harp), and contrabass, recorded these improvisations approaching their instruments not for melodies but as tools for experimentation, from which this trio finds a wealth of inventive sound.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 1.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:



product information:

Personnel:



Rachael Wadham-piano

Philippe Lenglet-acoustic guitar, cithar

Bruno Duplant-contrabass


Click an artist name above to see in-stock items for that artist.




Label: Confront
Catalog ID: ccs 74
Squidco Product Code: 23302

Format: CDR
Condition: New
Released: 2016
Country: UK
Packaging: Cardboard Sleeve Sealed
Recorded, few years ago, in "La salle de jeux", Waziers, France.

Descriptions, Reviews, &c.

"Every day is a good day is a quote from John Cage, which I think is fitting, as the playing of this excellent trio takes it's place within the rich and ever-widening horizon of post-Cageian music. The instruments are not means for creating melodies, but are sites for experimentation, sources of potential sounds that are drawn out and then left to be themselves rather than becoming part of a melodic chain.

Cage's words perhaps suggest a state of pre-lapsarian contentment, but for me the music comes from somewhere quite different. Yes there are moments of relaxation and flashes of beauty, but the general spirit is one of quiet restlessness, a persistent process of enquiry and experimentation which belies any sense of complacency and self-satisfaction. This is serious music - fun and enjoyable too - but seriously good."-Simon Reynell


Artist Biographies

"Rachael Wadham. B.Mus (UVic), Dip. Jazz (Humber)

Rachael Wadham is a performer, composer and instructor based in Metchosin. Rachael was trained classically from a very young age and has always been a keen improviser. She studied Jazz Piano Performance for 3 years at Humber College in Toronto but was drawn back to classical music and eventually transferred to UVic where she completed a Bachelor of Music Composition and Theory.

As a teacher, Rachael teaches all ages, and has a focus in music education for young children. She likes to gather material from numerous sources to provide a well rounded introduction to piano performance. Rachael has been working as a composer, performer and instructor for over 20 years in BC and Toronto. She has attended numerous composers workshops in Canada and Internationally.

Rachael was a co-founder of the Fernwood Difficult Music Society, a new music concert series that ran from 2002 - 2005, and is currently an active member of triPOD, an improvisation based dance and music collaborative. She is currently working towards her diploma in piano pedagogy...and raising 2 active boys. When not immersing herself in musical projects, Rachael enjoys spending time in her garden."

-Victoria Conservatory of Music (http://vcm.bc.ca/faculty-members/rachael-wadham/)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Philippe Lenglet: Guitars, objects. Philippe Lenglet plays in Feldspath, La Pieuvre, Gaw !, Philippe Lenglet , Le Grand Orchestre de Muzzix

Born in 1960, studied clarinette, then guitar (self taught) at 15. Member of the MMD (free-jazz band) since it was founded in 1987. Took part in the Rhys Chatham's 100-guitar concerts in 1989. Played in la Pieuvre, Electropus, Electric Cue, Soliloques en loque, Tricky Co (Brussels), Kind of Ply, l'Effaran and in other projects as well as solo work. Has played with Jean-Marc Montera, Edward Perraud, Tony Oxley, Roger Turner and Michel Doneda. Has developed a special way of playing prepared and modified electric and acoustic guitars.

He is also a photographer and works with pre-digital film techniques and in black and white, his favourite subject being concerts... for these he has developed a special technique of camera movement, following the music which he is photographing. The project " pictures to listen to " was presented at Gare St-Sauveur and in an interactive form at la Maison Folie in Lille-Moulins.

Philippe Lenglet has been part of the big band La Pieuvre since its creation. He has been part of numerous groups within to the Muzzix collective (Electric Cue, Electropus, etc.) Has been a member of MMD (a regional free-jazz band) since its foundation in 1987. He sometimes performs solo concerts for which he has developed a special way of playing prepared or modified guitars."

-Muzzix (http://muzzix.info/lenglet?lang=en)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Bruno Duplant is a composer, improviser and multi-instrumentist (double bass, percussion, electronics, phonography...) living in the north of France. He has collaborated with lot of instrumentalists around the globe and has also made solo works for such labels as B-Boim, Engraved Glass, Peira, Ilse, Impulsive Habitat, Con-v, Unfathomless, Et le feu comme matière formatable technologiquement, Audiotong, Insubordinations and his own label curated with Pedro Chambel, Rhizome.s...

For him, composing, playing, improvising music is like imagining, creating and sometimes decomposing new spaces/realities, new entities. But it is also a reflection on 'memory', not the historic one, but a memory of all things, spaces & moments.

His new works, mostly based on phonographies & graphic scores, perfectly reflect that."

-Another Timbre (http://www.anothertimbre.com/az8.html)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. everydayisagoodday 38:30

Related Categories of Interest:

May 2017
Improvised Music
Free Improvisation
European Improvisation and Experimental Forms
Trio Recordings

Search for other titles on the label:
Confront.


Recommended & Related Releases:
Duplant, Bruno / Rutger Zuydervelt
Edge Of Oblivion
(Machinefabriek)
The third collaboration between sound and electronic artists Bruno Duplant and Rutger Zuydervelt (Machinefabriek) is a darkly heavy and dramatic work of subtle motion that slowly unfolds and shifts through vast sonic environments, fueled by acousmatic sources that take the listener to the edge of darkness and then pulls them back in warm waves or rich ambiance.
Duplant, Bruno
Paysages Sans Age III
(Sublime Retreat)
Two encompassing and tranquil works of sound from French composer Bruno Duplant, the album title translating to Ageless Landscapes as Duplant envisions two terrains through slow motion tones, piano and synthetics, evocatively described in an accompanying poem that conjures expansive fog, blurred trees, hawks slowly spiraling, a history in a hillside.
Duplant, Bruno / Pierre Gerard
Soleil Clandestin
(Edition Wandelweiser Records)
Five "Soleil Clandestin" soundscapes using abstract voice, guitar, electronics, field recordings & percussion from sound artists Bruno Duplant and Pierre Gerard, on the surface peaceful, minimal and using space and silence, but buried inside are disquieting additions through vocal abstractions placed in unusual position to the sound; curious and captivating.
Other Recommended Releases:
Olsen, Lance Austin / Bruno Duplant
Coincidence
(Ftarri)
A single extended duo performance from improviser, composer and leader of the Infrequency Editions label, Lance Austin Olsen, performing on guitar, field recordings, wax cylinder recordings, MIDI organ & amplified objects, along with French pianist, composer and improviser Bruno Duplant, also credited with "sounds", a moody and tense work that meticulously uses innuendo and space.
Duplant, Bruno
Le Jour D'apres
(Sublime Retreat)
A dark journey into a nocturnal world of synthetic tones and urban environments, emerging from footsteps and impressions of the passing world imbued through vaporous and skewed progressions, like moonlight piercing through a veil, from French composer and electroacoustic artist Bruno Duplant in an extended work dedicated to Belgian pianist Guy Vandromme.
Duplant, Bruno / Seth Nehil
The Memory Of Things
(Sublime Retreat)
An immersive and often explosive set of dark compositions from Seth Nehil & Bruno Duplant, blending field recordings, electronics, percussion and percussive objects into a controlled chaos of inexplicably murky and uncategorizable sounds, at times like a surreal firework display, or inserted into a complex machine on the verge of collapse, all imbued with a consistent resonant hue.
Vandromme, Guy / Bruno Duplant
l'infini des possibles (12 etudes pour piano) [2 CDs]
(elsewhere)
Twelve etudes for solo piano by French composer Bruno Duplant and interpreted by pianist Guy Vandromme, each etude consisting of eight lines of lowercase letters a-g representing white keys, with accents, uppercase shifts, apostrophes, &c. affecting those letters, the performer given an "infinity of possibilities" through choices of combinations and repetions of the score.
Duplant, Bruno
Deux Songes (Les Jours Sont Faits Pour Expliquer Les Nuits)
(Meenna)
Two beautifully subtle works for an ensemble of strings and electric piano from French composer Bruno Duplant, realized by the Boston-based Ordinary Affects ensemble or Jordan Dykstra, Morgan Evans-Weiler, JPA Falzone, Luke Martin and Ashley Frith, the first a quintet and the second a string quartet, creating illusory affects of motion and space through abstraction.
Bourne / Davis / Kane
Broken Light
(Confront)
A live recording at Belfast's Sonic Arts Research Centre during the Translating Improvisation: Beyond Disciplines Beyond Borders colloquium, from the intrepid improvising trio of Matthew Bourne (piano), Steve Davis (drums) and Dave Kane (double bass).
Butcher, John / Burkhard Beins / Mark Wastell
Membrane
(Confront)
Mysteriously dark electroacoustic improv from the adept trio of John Butcher on acoustic and amplified saxophones, Burkhard Beins on amplified bass drum and electronics, and Mark Wastell on amplified 32" paiste tam-tam, slowly evolving, rich environments in sound.
Ist (Davies / Fell / Wastell)
Consequences (of Time and Place)
(Confront)
ist (The Improvising String Trio) of Rhodri Davies (harp), Simon H. Fell (bass) and Mark Wastell (violincello) performing at The Natural Music Club in London, 1997, using unorthodox techniques in indeterminate systems and free improvisation for fascinating results.
Davis, Matt / Phil Durrant / Mark Wastell
Confront Collectors Series
(Confront)
Re-issue of one of the earliest Confront releases, the trio of trumpeter Matt Davis, violinist Phil Durrant and cellist Mark Wastell performing subtle and sophisticated free improvisation at St. Michael's and All Angels church, Chiswick, London in 2000.
Dadge, Chris / Rachael Wadham
100 Silk Buttons from the Room Upstairs
(Bug Incision Records)
Chris Dadge & Rachael Wadham, who toured in 2007 in support of Peter Evans, play piano and percussion augmented with found objects, violin, percussion and junk.



Customers Who Bought This Item Also Bought:
Dunmall / Gibbs / Taylor / John Long
Landscapes
(FMR)
The counterpart to the Dunmall session "Seascapes" recorded at the same Victoria Rooms at the University of Bristol's music department, this quartet sees Dunmall on soprano sax and flute joined by three string players--Benedict Taylor on viola, Ashley John Long on bass, and guitarist Phil Gibbs--for six detailed collective improvisations leaning toward chamber jazz.
Dunmall, Paul / Philip Gibbs / James Owston / Jim Bashford
Inner And Outer
(FMR)
Paul Dunmall's 2018 studio album in a quartet with James Owston on bass, Jim Bashford on drums, Philip Gibbs on guitar, and Dunmall on tenor saxophone, Gibbs's hollow-body opening up the band sound as Owston and Bashford trade rapid responses or provide solid grooves, the themes of the dialogs focused on space and time through intricate, complex and profound interaction.
Wachsmann / Taylor / Mattos / Brighton
Strings
(FMR)
Three strings, percussion and electronics from the quartet of Phillip Wachsmann on violin, electronics, Trevor Taylor on percussion, electronics, Marcio Mattos on bass, cello, electronics, and Ian Brighton on electric guitar, which grew out of the 2016 return of guitarist Ian Brighton and his String Thing, released on FMR as "Reunion: Live From Cafe Oto".
Benford, Douglas
For Now
(Confront)
Sprawl Imprint label leader Douglas Benford developed this fascinatingly layered composition with a diverse set of instruments, objects, and field recordings from captures made at the Stockholm Music Museum and at performances in Lithuania and England between 2009 and 2017, assembling them to create this exceptional odyssey of concrete, ambient and ethnic sources.
Demierre, Jacques / Anouck Genthon
Teyerit
(Confront)
A series of unusual compositions originally written by Jacques Demmiere and Vincent Barras, here reworked by Demmiere and violinist Anouck Genthon, each piece focusing on sounds, breaths, frictions, silences, vowels and consonants, weaving and complementing each other through a mix of traditional, extended and unconventional techniques; fascinating.
Salis, Giacomo / Paolo Sanna
Humyth
(Confront)
Creative uses of percussion from Italian drummers Giacomo Salis and Paolo Sanna, who explore gesture, movement, listening, and the investigation of natural materials and found objects, in five studio tracks that present the results of their research in both rhythmic sections and sections of abstract sound, honed from concerts, studio albums, and a collaboration with Jeph Jerman.
Derome, Jean
Resistances
(Ambiances Magnetiques)
With many participants from Ensemble Musique and the Montreal Musique Actuelle scene, composer and multi-instrumentalist Jean Derome directs an ensemble into the exploration of electricity and "Resistances", blending electronics, turntable, 60 Hz hums and other electronics into an orchestra of improvisers executing his dynamic 16 movement composition.
Schindler, Udo
Botenstoffe
(Confront)
A series of duo recordings between saxophonist, clarinetist and cornet player Udo Schindler and pianists, all recorded at Schindler's Salon for Sound and Art at Krailing, Germany between 2013 and 2016, with Claudia Ulla Binder, Masako Ohta, Elisabeth Harnik, Katharnia Weber, and Lisa Ullen; song titles taken from SONDAGEN (Soundings) in memory of poet Thomas Kling.
Houben, Eva Maria
Organ Sonatinas And Drones [2 CDs]
(Edition Wandelweiser Records)
American organist and composer Carson Cooman performs three sontatinas, each in three movements, and the 2014 work "drones", by German contemporary composer Eva Maria Houben, a member of the Wandelweiser group, all slowly evolving works of tone and subtle harmonics.
de Alvear, Maria / Antoine Beuger
Besando El Tiempo [2 CDs]
(Edition Wandelweiser Records)
Antoine Beuger performs composer Maria De Alvear's 1995 contemplative work "Besando El Tiempo" (Kissing The Time) written using an automatic script and originally composed for the flautist Caren Levine; after hearing Beuger's interpretation she requested that he record it, the result this rendition that takes the composition on an introspective journey.
Humcrush (Storlokken / Stronen)
Enter Humcrush
(Shhpuma)
After a six year break the Humcrush duo of Stale Storlokken on keys and Thomas Stronen on drums & electronics return with this studio album of rhythmic angularities and experimental sound worlds, drawing on their experiences with bands including Supersilent, Food, Elephant9, Time is a blind guide, Meadow and Motorpsycho.
Chamber 4 (Vicente / Ceccaldi / Ceccaldi / dos Reis)
City Of Light
(Clean Feed)
A live concert at Les Soirees Tricot Festival in Paris, France in 2016, dedicated to the "City of Light", from the quartet of Luis Vicente on trumpet, Theo Ceccaldi on violin, Valentin Ceccaldi on cello and Marcelo dos Reis on acoustic guitar and prepared guitar, in music that, like the city, exhibits gorgeous simplicity through intricate sophistication.
Maneri, Mat / Evan Parker / Lucian Ban
Sounding Tears
(Clean Feed)
Viola improviser and composer Mat Maneri leads this trio with British UK legend Evan Parker on soprano and tenor saxophone and Romanian ex-patriot and frequent collaborator Lucian Ban on piano, for ten compositions blending tradition, song, and improvisational tactics, recalling 20th century modern classical music in addition to jazz.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC