Clarinetist Jurg Frey performs two works, one composed by Antoine Beuger and one by John Cage, both related to time, or of becoming and of unceasing becoming, pieces using silence in powerful sound structures, contrasting empty moments with the complexity of individual sound.
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Label: Edition Wandelweiser Records
Catalog ID: EWR 9607
Squidco Product Code: 22199
Packaging: Jewel Case
Track 1 recorded in Hohenferchesar, Germany, in May 1996.
Track 1 recorded in Stahnsdorf, Germany, in October, 1995.
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1. Dialogues (Silences) (1993) 35:50
2. Music For One (1984) 29:43
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"The movement which occurs throughout the program played here by Jürg Frey, is one of becoming, of unceasing becoming; that means: of time. Becoming has no starting point and no desire to reach a close. lt cannot be localized. lt is unseizable, even in the smallest interval between two points in time. lt occurs imperceptibly, in the simultaneity of "not yet" and "already gone". Becoming is never presence. That is why becoming occurs in silence. lt appears as though nothing takes place - then, as it turns out, something irreversible has happened.
In "dialogues (silence)" by Antoine Beuger; this concept is made perceptible. Each sound structure is preceded and followed by silence. Between the silence after a sound structure and the silence before the next one, one hears the sound of a page being turned: the sound of silence between the silences.
When music abandons itself to complexity, tapping into the infinity of possible differences in sound, becoming also occurs, as it were, while one's back is turned. lt is never equal to what is going on, but merely passes through.
"Music for One" by John Cage is characterized by the presence of both directions: infinite extension of the moment in silence; infinite diminution of the time-space in complexity. lt is however not the diversity which distinguishes this music, but its equanimity."-Editions Wandelweiser
• Show Bio for Jurg Frey
"Jürg Frey was born in 1953 in Aarau, Switzerland. Following his musical education at the Concervatoire de Musique de Genève, he turned to a career as a clarinetist, but his activities as composer soon came to the foreground. Frey developed his own language as a composer and sound artist with the creation of wide, quiet sound spaces. His work is marked by an elementary non-extravagence of sound, a sensibilty for the qualities of the material, and precision of compositional approach. His compositions sometimes bypass instrumentation and duration altogether and touch on aspects of sound art. He has worked with compositional series, as well as with language and text. Some of these activities appear in small editions or as artist's books as individual items and small editions (Edition Howeg, Zurich; weiss kunstbewegung, Berlin; complice, Berlin). His music and recordings are published by Edition Wandelweiser. Frey has been invited to workshops as visiting composer and for composer portraits at the Universität der Künste Berlin, the Universität Dortmund and several times at Northwestern University and CalArts. Some of the other places his work has developed are the concerts at the Kunstraum Düsseldorf, the Wandelweiser-in-Residence-Veranstaltungen in Vienna, the Ny music concerts in Boras (Sweden), the cooperation with Cologne pianist John McAlpine, the Bozzini Quartet (Montréal), QO-2 (Bruxelles), Die Maulwerker, incidental music, as well as the regular stays in Berlin (where during the last years many of his compositions were premiered). Frey is a member of the Wandelweiser Komponisten Ensemble which has presented concerts for more than 15 years in Europe, North America and Japan. Frey also organizes the concert series moments musicaux aarau as a forum for contemporary music."-Other Minds (http://www.otherminds.org/shtml/Frey.shtml)
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