Kerbaj, Mazen / Ernesto Rodrigues / Guilherme Rodrigues / Carlos Santos / Sharif Sehnaoui
Three foreboding tracks of aggressive and open improvisation from long-time collaborators Lebanese trumpet player Mazen Kerbaj and guitarist Sharif Sehnaoui in a quintet with Creative Sources labelmates Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, and Carlos Santos on electronics; an aggressive, at time frightening world of sound; gripping.
Shipping Weight: 4.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Creative Sources
Catalog ID: CS296
Squidco Product Code: 21591
Packaging: Jewel Case
Recorded in 23rd June 2006 at Tcha3 Studio, Lisbon, Portugal, by Diego Tavares.
Sharif Sehnaoui-acoustic guitar
Highlight an artist name or instrument above
and click here to Search
1. Untitled 23:16
2. Untitled 8:47
3. Untitled 13:23
European Improv, Free Jazz & Related
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers
sample the album:
"Followers of free jazz and free improv scenes should be familiar with the name and the sonic art of Lebanese trumpet player and former painter Mazen Kerbaj as well as his long-lasting collaborator, the guitar player Sharif Sehnaoui. He gained some notoriety for "Starry Night", a 40-minutes lasting improvisation on trumpet recorded in Beirut on the night between 16th and 17th July, where he also grabbed the noise of Israeli bombs outside in the middle of the so-called war of 33 days in 2006 that Israel declared against Hezbollah in Lebanon (killing many more civilians than members of Hezbollah actually...).
The difficult situation in that area of the world profoundly influenced both the music and the paintings by Mazen: the Picasso-like cover artwork of this release comes from his hand, and the analogy with the political works by Picasso is not casual... and the title "Blue Rain" also seems to be a quotation of the very first cycle of Picasso's painting, the so-called blue period.
One of the interesting aspect of this output by Portuguese label Creative Sources is the moment when it got recorded: it comes from an improv session recorded by Diego Tavares at Tcha3 Studio in Lisbon on 23rd June 2006, some days before the Israelian bombing, but when it was clear that a military escalation of the political situation could follow. The sonic painting by Mazen on his beloved trumpet, whose mouthpiece got commonly joined to a yellow tube, and Sharif together with Ernesto Rodrigues (viola), Guilherme Rodrigues (cello) and Carlos Santos (on computer and piezos... the thuds at the end of the first of the three untitled tracks included in this release, as well as other moments you can supposedly catch while listening to it, could sound like a grim foreboding) seems to mirror such a worried whiff."-Vito Camarretta, Chain DLK
Get additional information at Chain D.L.K.
• Show Bio for Mazen Kerbaj
"His main activities are comics, painting and music. After a lot of works for different publishers and magazines, it is in March 2000 that he releases some of his more personal works in his Journal 1999 (a dairy in comics' format). He self-published eight other books and many short stories since.
It is also in 2000 that he plays for the first time in concert, in the Strike's pub in Beirut. This concert, a duo with Lebanese sax player Christine Sehnaoui, is probably the first improvised music concert in the Middle East.
In 2001, together with guitarist Sharif Sehnaoui , he creates the MILL association that curates since IRTIJAL an annual international festival for free music in Beirut as well as various concerts and events (IRTIJAL saw over the years some great improvisers like Fred Van Hove, Johannes Bauer, Lê Quan Ninh, Franz Hautzinger...).
In august 2002, together with Sharif Sehnaoui and double bass player Raed Yassine he recorded the album A published by La CD-Thèque, Beirut.
After meeting Franz Hautzinger by chance in Lebanon in February 2003, they played in duo in Beirut and in Paris and in trio with Japanese laptop player Taku Unami at the IRTIJAL 2003 festival. Then they were joined by Sharif Sehnaoui and Helge Hinteregger to form Oriental Space quartet that played in Nickelsdorf, Berlin, Vienna and Klagenfurt. A recording of this group is avilable on the Austrian label aRtonal, and a recording of the duo Hautzinger/Kerbaj is to be released soon on the Portugese label Creative Sources.
Between 2000 and 2004, Mazen Kerbaj played in solo and various groups in a lot of venues in Lebanon, Damascus, Paris, Bordeaux, Vienna, Berlin, New York, Chicago, Boston, Philadelphia...
Regular and occasional partners includes: Sharif Sehnaoui, Christine Sehnaoui, Raed Yassine, Charbel Haber, Jad Balaben, Jassem Hindi, Franz Hautzinger, Helge Hinteregger, Lê Quan Ninh, Bertrand Denzler, Stéphane Rives, Edward Perraud, Taku Unami, Guillermo Gregorio, Gene Coleman, Toshimaru Nakamura, Michael Zerang, Fred Lonberg-Holm, Jim Baker, Jack
Wright, Mike Bullok, Vic Rawlings, Nate Wooley...Kerbaj is going to release soon a solo CD and a quartet with Sharif and Christine Sehnaoui and Ingar Zach, on the newly born Lebanese label Al-Maslakh (the slaughterhouse)."-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
^ Hide Bio for Mazen Kerbaj
• Show Bio for Ernesto Rodrigues
"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.
His main interest shifted towards contemporary improvised and composed music.
The relationship with his instruments is focused in sonic and textural elements.
Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.
Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.
Music for Dance, Cinema, Video and Performance.
Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
^ Hide Bio for Ernesto Rodrigues
• Show Bio for Guilherme Rodrigues
"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.
Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.
Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...
Has performed and toured in all Europe. Released more than 30 albums of his own projects."-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
^ Hide Bio for Guilherme Rodrigues
• Show Bio for Carlos Santos
"Studied painting with António Sena (Ar.Co, 1988 -1992), worked in advertising for a period of time, but nowadays works as graphic designer in corporate identity, packaging, web and audio-video production.
Started sound/music activities in 1989 when formed the VITRIOL project with Paulo Raposo, a laboratory for experimental sound actions, in a first stage with studio work followed in 1994 by live output, mainly live electronics, concrete music with a improvised or graphic score oriented approach. Uses the laptop with software written in MaxMsp, small resonant objects, microphones and piezo elements to produce a music that deals with space and its sound characteristics. Interests in "soundscape" and field recordings are a huge part of his work, for piece preparation or just for archival purposes, Always recording, events, spaces or music. Multi-channel acusmatic music and radio pieces.
Presents himself solo in site-specific audio-video works, or in duos with João Silva (video, sound, photography), "Inhabitaded Spaces" with Ricardo Guerreiro (computer, mics), "Venús Pistolletto" with Emídio Buchinho (elec. guitar, mics, objects) and trios with Ernesto Rodrigues (violin) and Guilherme Rodrigues (cello) or ZNGR electroacustic trio with Carlos "Zíngaro and Emídio Buchinho. Member of several formations, "(Des)Integração" laptop ensemble (2001-2003) or in more electroacoustic sets, uses live-electronics and sampling which is the case of "Suspensão" septep, VGO, variable geometry orchestra and specially a trio close related to the "near silence" aesthetics, with Ernesto Rodrigues (violin, harp) and Guilherme Rodrigues (cello) with already several CD releases, always with at least one international improviser guest. Presented his work in Portugal, Spain, France, UK and Germany. Worked with artists from several media: dance, performance and video. Music and sound design for video and animation. Video and sound editing for comercial projects. Played live or in recording projects throughout the years with a lot of musician and sound artists. His sound work is documented in several CD releases. Belongs to the Granular board of directors, a portuguese association for experimental art and does the image of Creative Sources label. Broadcasts "Boca Doce" show at Rádio Zero (web) and other special shows. Workshops and seminars in digital audio manipulation, Maxmsp programming and sound art practise."-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
^ Hide Bio for Carlos Santos
• Show Bio for Sharif Sehnaoui
"Sharif Sehnaoui is a free improvising guitarist. He plays both electric & acoustic guitars, with (or without) extended and prepared techniques, focusing on expanding the intrinsic possibilities of these instruments without the use of effects or electronics. He now resides in Beirut, his hometown, after more than a decade in Paris, where he started his career as an improviser in 1998, playing at Instants Chavirés as a member of several orchestras. He has since performed his music worldwide and played in many clubs & festivals such as Soundfield (Chicago), Moers, Konfrontationen (Nickelsdorf), Météo Music Festival (Mulhouse), CTM & Maerzmusik (Berlin), FEST (Tunis), Skanu Mesz (Riga), 100Live (Cairo) or Musikprotokoll (Graz).
In Lebanon, he actively contributed to the emergence of an unprecedented experimental music scene. Along with Mazen Kerbaj he created "Irtijal" (www.irtijal.org) in 2000, a yearly international festival that is the oldest improvised and new music festival in the Arab world. "Irtijal" celebrated its XVth anniversary in 2015.
He also runs two record labels: "Al Maslakh" (www.almaslakh.org) devoted to "publish the un-publishable" on the Lebanese musical scene. And "Annihaya" (www.annihaya.com), focusing on sampling, recycling and the displacement of various aspects of popular culture.
His main groups and projects include the "A" Trio (with Kerbaj & Raed Yassin), "Wormholes" an audio-visual performance with Kerbaj drawing live on a glass table, and Karkhana (www.karkhana-music.com), a Middle-Eastern based super-group combining musicians from Beirut, Cairo & Istanbul. He performs solo on the acoustic guitar using unique percussive techniques exclusively, and on the electric guitar mostly performing with dance (Atsushi Takenouchi, Omar Rajeh...) and composing music for film (Ghassan Salhab, Mai Masri...)
Over the years he has collaborated with several musicians including Michael Zerang, Paed Conca, Thierry Madiot, Fabrizio Spera, Franz Hautzinger, Xavier Charles, Tarek Atoui, Tony Buck, Maurice Louca, Susie Ibarra, Eddie Prevost, Jean-François Pauvros, Alan Bishop, Umut Çağlar, Michael Vorfeld or Saadet Turkoz to name but a few."-Sharif Sehnaoui Website (http://www.sharifsehnaoui.net/bio.htm)
^ Hide Bio for Sharif Sehnaoui
Search for other titles on the Creative Sources label.