The Squid's Ear Magazine
Squidco Harvest Sale!
Friday through Sunday Save 10%-15% on all new items!




Cage, John: Music Of Changes (1951) (Hat [now] ART)

"Music of Changes" was composed by John Cage using the hexagrams of the I Ching and has no sense of structure, continuity, rhythm, or speed; change itself is the only consistent aspect of the work.
 

Price: $19.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

product information:

Personnel:



David Tudor-piano


Click an artist name above to see in-stock items for that artist.




UPC: 752156017325

Label: Hat [now] ART
Catalog ID: 173
Squidco Product Code: 16311

Format: CD
Condition: New
Released: 2012
Country: Switzerland
Packaging: Cardstock 3 page foldover
Recorded at WDR Koln, Funkhaus Wallrafplatz, Saal 2 on November 25th, 1956 by Wilhelm Aulenkamp.

Descriptions, Reviews, &c.

"The title is a double pun. The score is the first that John Cage devised allowing the hexagrams of the I Ching to fully determin e how the music would procee d, event by event, gesture by gesture-the musical details (pitch, duration, dynamic s, density, tempi) being painstakingly, albeit fortuitously, derived through point-by-point con sultation from charts of possi bilities designed by the composer. (Christian Wolff, Cage's young friend and musical associate, had presented Cage with a copy of the book, which had been published by his father, Kurt Wolff. I Ching = Book of Changes = Music of Changes.) Too, the music, as an entity, is constantly changing. There is no guidin g sense of continuity of line, rhythm, speed, or textur e. The relationship between events-the glue-which holds the music together can be neither tonally nor structurally defined. Change appears to be its only un changing characteristic, its ultimate identity."-Art Lange



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"David Tudor was born in Philadelphia, PA, in 1926. He studied with H. William Hawke (organ, theory), Irma Wolpe Rademacher (piano) and Stephan Wolpe (composition and analysis).His first professional activity was as an organist, and he subsequently became known as one of the leading avante-garde pianists of our time. Tudor gave highly acclaimed first or early performances of worksby contemporary composers Earle Brown, Sylvano Bussotti, Morton Feldman, Karlheinz Stockhausen, Christian Wolff, Stephan Wolpe, and La Monte Young, among others.

Tudor began working with John Cage in the early fifties, as a member of the Merce Cunningham Dance Company and with Cage's Project of Music for Electronic Tape. Tudor gradually ended his active career as a pianist, turning exclusively to the composition of live electronic music.

As a composer, Tudor chose specific electronic components and their interconnections to define both composition and performance drawing upon resources that were both flexible and complex. Tudor was one of four Core Artists who collaborated on the design of the Pepsi Pavilion for Expo '70, Osaka, Japan, a project of Experiments in Art and Technology, Inc. Many of Tudor's compositions have involved collaborative visual forces: light systems, laser projections, dance, theater, television, film. Tudor's last project, Toneburst: Maps and Fragments, was a collaboration with visual artist Sophia Ogielska. Tudor's several collaborations with visual artist Jacqueline Monnier included the development of a kite environment installed at the Whitney Museum (Philip Morris, NYC) in 1986, at the exhibition "Klangraume" in Dusseldorf in 1988, and at the Jack Tilton Gallery in New York City in 1990. Other collaborators have included Lowell Cross, Molly Davies, Viola Farber, Anthony Martin, and Robert Rauschenberg.

Tudor had been affiliated with the Merce Cunningham Dance Company (MCDC) since its inception in the summer of 1953. In 1992, after CageÕs death, Tudor took over as Music Director of MCDC. Merce Cunningham has commissioned numerous works from Tudor, including Rainforest I (1968); Toneburst (1974); Weatherings (1978); Phonemes (1981); Sextet for Seven (1982); Fragments (1984); Webwork (1987), Five Stone Wind (1988), Virtual Focus (1990); Neural Network Plus (1992); and most recently Soundings: Ocean Diary (1994) for what was John Cage's last conception, Ocean.

David Tudor passed away on August 13, 1996 at his home in Tomkins Cove, NY."

-David Tudor Website (http://davidtudor.org/Life/biography.html)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Music of Changes Books 1-4 (1951): Book I 4:11

2. Music of Changes Books 1-4 (1951): Book II 18:44

3. Music of Changes Books 1-4 (1951): Book III 10:36

4. Music of Changes Books 1-4 (1951): Book IV 11:03

Related Categories of Interest:


Compositional Forms
Avant-Garde
John Cage
Solo Artist Recordings
Hat Art

Search for other titles on the label:
Hat [now] ART.


Recommended & Related Releases:
Feldman, Morton
Piano Three Hands, Intermission 5, Vertical Thoughts 2, Extensions 3, Four Instruments, Intermission 5, Piano Piece 1956 A + B, Intersection 3, Instruments 1
(Edition Rz)
A collection of Feldman compositions primarily for piano as recorded by his earliest interpreters: Cornelius Cardew, John Tilbury, David Tutor, Cantilene Chamber Players, and Feldman himself.
Tudor, David
Music for Piano
(Edition Rz)
2-CD set with recordings by the legendary 20th century avantgarde pianist performing compositions by (and with) John Cage, plus Sylvano Bussotti, Morton Feldman, Christian Wolff.



Customers Who Bought This Item Also Bought:
Anzellotti, Teodoro
Push Pull
(Hat [now] ART)
New works for the accordion composed by Vinko Globokar, Toshio Hosokawa, Youghi Pagh-Paan, Rolf Riehm, and Salavatore Sciarrino and performed by Teodoro Anzellotti.
Crane, Laurence / Apartment House
Chamber Works 1992-2009 [2 CDs]
(Another Timbre)
A double CD of UK's experimental music ensemble Apartment House performing 14 chamber pieces composed by and under the supervision of Laurence Crane, beautiful and informed minimal work from a unique voice in modern composition.
Shipp, Matthew Trio
Root Of Things
(Relative Pitch)
Pianist Shipp's long-standing trio with bassist Michael Bisio and drummer Whit Dickey, complex and inspired compositions that makes modern creative approaches to jazz beautifully accessible and essential.
Ward, Jason
Euphoric Nightmares
(Ten Speed Records)
Guitarist Jason Ward takes the listener on a journey in sound through dark looping structures and hypnotic approach.
Davidson, Scott with Shipp / Shorter / Bisio / Dickey
Dreamland
(NO LABEL)
Percussionist Scott Davidson, whose music is informed by jazz, classical Indian and Middle Eastern music, teamed up with pianist Matthew Shipp, bassist Michael Bisio, drummer Whit Dickey and reedist Lloyd Shorter for this album of world encompassing and rhythmic jazz.
Pisaro / Chabala
Black, White, Red, Green, Blue (Voyelles) [CASSETTE]
(Winds Measure)
Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.
Machinefabriek
Stroomtoon II
(Herbal International)
After recording Stroomtoon in December 2011, electronic sound artist Rutger Zuydervelt wanted to capture more of the roughness and spontaneity of his live performances, so he recorded more material for this second installation.
Bartlett, Nathaniel
Trichotomic Ecology [CD + DVD]
(Sound-Space Audio Lab)
Electronic artist Nathaniel Bartlett (marimba, computer) is joined by Geoffrey Brady (percussion) and Nils Bultmann (viola) for a physical and temporal sound experience.
Ammann, Dieter
The Freedom of Speech
(Hat [now] ART)
The Ensemble fur Neue Musik Zurich plays seven pieces by Swiss composer Dieter Ammann, each made through a very slow creative process that contrasts the very lively and gestural music.
Gregorio, Guillermo
Faktura
(Hat [now] ART)
Guillermo Gregorio produces a series of compositions that reinterprets the structural concepts of Constructivism, Concretism, and Madi, focusing on the physicality of sound.
Stiebler, Ernstalbrecht
...Im Klang...
(Hat [now] ART)
Composer Ernstalbrecht Stiebler presents three solo pieces, one for accordion (Teodoro Anzellotti) one for piano (Marianne Schroeder) and the third for organ (Huub Ten Hacken).
Lossing, Russ / Ed Schuller / Paul Motian
As It Grows
(Hatology)
Composer and pianist Russ Lossing explores the eloquence of silence as his music grows out of silence and the space between thought and gesture in this trio with Ed Schuller (bass) and Paul Motian (drums).
Mehta, Rajesh (feat. Paul Lovens)
Orka
(Hatology)
Indian-born, currently Amsterdam-based American Rajesh Mehta expands the timbral and textural palette of the trumpet in twelve pieces with accompaniment by Paul Lovens on drums and cymbals.
World Heritage, The
Live At Goodman
(Magaibutsu)
The World Heritage in their 5th release recorded live at Tokyo's Akihabara Goodman in 2012, amazing improvised instrumental rock from Tatsuya Yoshida (drums), Seiichi Yamamoto (guitar), Natsuki Kido (guitar), Yuji Katsui (violin) and Mitsuru Nasuno (bass).
Postmarks (Boris Hauf / D Bayne / Martin Siewert)
National Parks
(Monotype)
The duo of saxophonist Boris Hauf and pianist D Bayne team up with guitarist Martin Siewert in this collection of tracks inspired by different U.S. national parks and their representation in iconic posters.
RLW & Srmeixner
Just Like A Flower When Winter Begins
(Monotype)
An interesting mixture of sound and spoken word originally recorded as a DJ set by RLW for a birthday celebration that was remixed with help from Stephen Meixner.
Wright, Jack
As If Anything Can Be The Same
(Relative Pitch)
Acclaimed free improvising saxophonist Jack Wright is joined by his son Ben on double bass for these exceptional duos that balance space and color through extended techniques and an impecable sense of timing.
Laubrock, Ingrid & Tom Rainey
And Other Desert Towns
(Relative Pitch)
After many years collaborating together, New York saxophonist Ingrid Laubrock and drummer Tom Rainey present their debut as a duo in a series of improvisations, from subtle interaction to rousing interplay.
Dorgon
For Jason Viseltear
(Jumbo)
Jason Viseltear, based in NYC, makes violins, violas, and cellos for both contemporary and period / baroque performance. Inexplicably, Mr. Dorgon dedicated this work to him, a piece of sound and noise, perhaps constructed using string instruments; perhaps not.
Filip, Klaus / Dafne Vicente-Sandoval
Remoto
(Potlatch)
The minimalist duo of Klaus Fili performing on sinus-waves and Dafne Vicente-Sandoval on bassoon, performed deconstructively and amplified with miniature microphones, in two extended recordings of introspective and austere dialog.
Remote Viewers, The
Crimeways
(Remote Viewers)
The 12th release from the London-based Remote Viewers led by saxophonist David Petts, with four saxophones plus electronics, acoustic bass, keys and tuned percussion, crossing improvisation and rock forms in unique and sinister ways.
Doneda, Michel / Joris Ruhl
Linge
(Umlaut Records)
The duo of saxophonist Michel Doneda and clarinetist Joris Ruhl in subtle recordings from The ferme du linge, Orbey, France, emphasizing unusual aspects of their instruments, tonal interactions, and extended techniques.
Hauser, Fritz
Pieces For Percussion
(Hat [now] ART)
Ensemble XII performs pieces by percussionist Fritz Hauser that were composed with an attention to detail that is heard in the timbre, texture, density and dynamics of his arrangements.
Wintsch / Weber / Wolfarth
Willisau
(Hatology)
The improvisational and untraditional piano trio of Michel Wintsch (piano, synthesizers), Christian Weber (bass), and Christian Wolfart (drums) in a fantastic, live performance from Willisau.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC