The Squid's Ear Magazine
275 albums from Clean Feed & Shhpuma on Sale at 50% Off!



Leandre / Houle / Strid: Live at Sons D'Hiver (Ayler)

Spontaneous extraordinary compositions/improvisations by bassist Joelle Leandre, clarinetist Francois Houle and percussionist Raymond Strid from the annual Sons d'Hiver festival near Paris.
 

Price: $15.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 4.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Joelle Leandre-bass

Francois Houle-clarinets

Raymond Strid-percussionFranoisHouleJoelleLeandreRaymondStridLastSeenHeadedIII.mp3


Click an artist name above to see in-stock items for that artist.




UPC: 7320470118559

Label: Ayler
Catalog ID: AYLCD-096
Squidco Product Code: 12867

Format: CD
Condition: New
Released: 2010
Country: France
Packaging: Jewel Tray
Recorded and mixed by Herve Dejardin and Benoit Gegout, Radio France for"A L'Improviste" / France Musique at Centre Culturel Andre Malraux, Le Kremlin-Bicetre, France on January 24, 2009.

Descriptions, Reviews, &c.

"Seven spontaneous compositions/improvisations recorded in January 2009 by French bassist Joëlle Léandre, Canadian clarinetist François Houle and Swedish percussionist Raymond Strid during the annual Sons d'Hiver festival near Paris. That night, the three were last seen - or heard - heading towards musical excellence, and attaining it with the cumulative power of bass string bounces, double-tongued portamento reed trills and ruffs, rebounds and paradiddles from the drum kit often on show and frequently moving in counterpoint with each other throughout the performance."-Ayler

"A concert counterpart to their split live/studio disc on Potlach from 2006, this Radio France-recorded document finds this trio of masters in fine fettle in front of French audience at the dawn of 2009. Bassist Joëlle Léandre has a personal command of her instrument rivaled by but a few and her arco artistry earns the admittedly over-applied signifier of virtuoso moreso than most. Taking Evan Parker as part of his blueprint, Canadian clarinetist François Houle has honed a circular breathing technique on the licorice stick that makes impeccable use of its liquid pitch properties. Swedish autodidact drummer Raymond Strid is at once the glue and corrosive behind his kit, tying the music together and tugging it apart at intentionally erratic intervals. Knee-jerk hyperbole aside, it truly is a satisfying meeting and one that presents the trio at the peak of their collectively improvisatory prowess. [...]"-Derek, Master of a Small House


Get additional information at Master of a Small House

Artist Biographies

"Joëlle Léandre is a famous French Bassist and is known for her collaborations with other musicians in the field of improvised music. Born in France on September 12th, 1951, she made her music debut in 1984 with Les Douze Sons. Her childhood was filled with music, and she was particularly interested in the piano during her early years. In her later years, she developed an interest in double bass, which won her many honors and scholarships during her education. Her double bass teacher Pierre Delescluse encouraged her to apply to the Conservatoire National Superieur de Musique de Paris, where she was formally trained and noticed for her talent in the bass. Her outstanding musicianship took her to the United States and to the Centre for Creative and Performing Arts in Buffalo through a scholarship. In the United States, she expanded her network and met some of the best composers, such as John Cage, Giacinto Scelsi, and Morton Feldman. Among them, John Cage greatly influenced her music and compositions. Her time in the United States also enabled her to experience downtown New York music, which was another significant influence that led to her continued involvement in the field of improvised music.

Some of her notable collaborations in the field of contemporary music are with Pierre Boulez, Merce Cunningham, John Cage, and Giacinto Scelsi. Among them, John Cage and Giacinto Scelsi were the biggest influences in her life and music. In an interview, Joëlle Léandre said that John Cage was her spiritual father and changed her perception of sound and music. In another interview, she tells how Giacinto Scelsi allowed her to discover her own music and how his music transported her into a new world of improved consciousness. In the field of jazz music, she collaborated with Derek Bailey, William Parker, and Sebi Tramontana. Her music was owned and distributed by different music labels, including FMP, Leo, RougueArt, and Red Toucan. Some memorable songs and albums she released throughout the years include Instant Replay, Les Douze sons, Trios, Sweet Zee, Frerebet, Joelle et Tetsu, Philippe Fenelon, Voyages, etc. Some of the recent releases include Can You Hear Me and Unleashed. She has also performed live at the Tampere Jazz Festival twice, where popular international artists compete with each other.

Joëlle Léandre is also the member of European Women's Improvising Group (EWIG). The group evolved from the Feminist Improvising Group, and Joëlle Léandre joined the group in 1983. In the early 1900s, she co-founded Les Diaboliques with Irene Schweizer and Maggie Nicols, who were her long-time musician friends. Besides that, she also teaches several classes in prestigious universities about contemporary and improvised music. She has lived in France, Germany, and U.S during her lifetime, teaching at academic institutions in the religions and playing concerts. In 2002, she was invited to Canada as a visiting professor for music and composition."

-Joelle Leandre Website (https://www.joelle-leandre.com/biography/2/)
11/5/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Francois Houle (born August 17, 1961, Lachine): "I am a Canadian clarinetist who embraces pretty much any music where the clarinet is present, or has a bit of profile or history. Although I am classically trained, I have not followed the traditional career path associated with the kind of classical training I came out of.

I studied at McGill University with Emilio Iacurto (the legendary, long-time principal clarinetist of the Montreal Symphony Orchestra) and at Yale University with Keith Wilson (whose contribution to the clarinet world is unparalleled). I've had the privilege of participating in masterclasses with some of the world's finest clarinet players, including David Shifrin, Richard Stoltzman and Alan Hacker.

It was Alan Hacker who actually opened the door for me to explore new technical and musical possibilities on the clarinet. Having been part of Fires of London and a close collaborator with composers such as Peter Maxwell-Davies, Alan's insatiable curiosity and deep scholarship inspired me to look for my own personal approach. Following a brief visit to his home in the UK in the late 80's I spent some time in Paris practicing and researching clarinet new music repertoire. At that time I still didn't know what I was going to do with my life, except that I had a deep desire to "make it" in the music scene. It was during this period that I discovered the music of Steve Lacy.

Steve Lacy's career actually began as a dixieland clarinetist, eventually shifting to the soprano saxophone, an instrument very few jazz musicians had investigated since the great Sydney Bechet due to its range, smaller embouchure and faulty intonation. Steve dedicated his life to bringing this instrument at the forefront of creative music (legend has it that he turned John Coltrane on to the soprano's expressive qualities).

At the time I had one occasion of hearing him play live at the New Morning jazz club, and bought a newly released duo recording called "Paris Blues" (Owl Records, 1987) with the great Gil Evans on piano. Heading back to Canada, that was the only music I could listen to for quite a while, being transfixed by Lacy's and Evan's telepathic playing. It was the first time that I had found a jazz performance that rivalled with the finest chamber music making I was then more familiar with. It was a game changer as far as I was concerned. It opened the door for further exploration and discoveries; Anthony Braxton, John Carter, Jimmy Giuffre, all important figures in the development of creative music on the clarinet. It is interesting and deplorable to note that not once were these names ever mentioned in all my years of university clarinet seminars and lessons. It was only a few years later that he agreed to meet with me for one on one lessons at his Paris apartment. His main advice to me was to stick with the clarinet, and forge ahead with my musical thoughts and ideas, no matter how difficult the road ahead may be.

After a stint at the Banff Centre, where I worked on my technique and practiced improvisation (the centre has a great library with an extensive jazz and creative music collection), I relocated to Vancouver in the winter of 1989, where I began playing on the creative music scene and met many musicians who eventually became fantastic collaborators; Claude Ranger, Roger Baird, Tony Wilson, amongst many others. At the time, the New Orchestra Workshop Society was approaching its golden years, with the founding of the legendary Glass Slipper, the "go to" venue for creative music on the West Coast. The Vancouver Jazz Festival was well on its way to establishing itself as one of the most innovative international music happening, not only programming some of the biggest names in the business, such as Miles Davis and Wynton Marsalis, but also the most creative musicians on the planet; Cecil Taylor, Evan Parker, John Zorn, Dave Douglas, Anthony Braxton, William Parker, and a whole sleuth of European 1st generation of improvisors such as Misha Mengelberg, Han Benning, ICP, AMM, and the Italian Instabile Orchestra. It was at the 1992 Jazz Festival that I had my first high profile gig, my first band "Et Cetera" sharing the bill with the Steve Lacy Sextet!

As I was making my first steps in the improvised community, I also became involved with the contemporary music scene, collaborating with composers such as John Oliver and Paul Dolden, as well as freelancing with established organizations; Vancouver New Music, Vancouver Pro Musica. In 1992 I became a founding member of the Standing Wave ensemble. My activities in both creative music and new music allowed me to forge a strong profile, eventually expanding to collaborations with international musicians, and getting international touring opportunities. Some long standing collaborations were forged during that fruitful period, with luminaries such as Benoît Delbecq and Joëlle Léandre among others.

I have since been constantly involved in the advancement of creative music, pursuing collaborative projects with composers and musicians of all persuasions. My work continues to test the boundaries, looking for new vistas and connections with listeners everywhere."

-Francois Houle Website (https://www.francoishoule.ca/about)
11/5/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.
"Raymond Strid (born 1956 in Stockholm, Sweden) is a Swedish drummer in the genre of free jazz and the new European improvised music.When Strid picked up drumming, he was inspired by musicians like Han Bennink, Paul Lytton, and Tony Oxley. He started his musical career relatively late. His debut concert was in September 1977, after first playing with a variety of local bands in Stockholm. In 1988 he founded the 'GUSH' trio together with saxophonist Mats Gustafsson and the pianist Sten Sandell. Since that time Strid has played in a series of bands and projects, such as in the trio Guy/Gustafsson/Strid, Marilyn Crispell/Anders Jormin/Raymond Strid and the Free Jazz trio LSB with Fredrik Ljungkvist and Johan Berthling. In 2000 he initiated 'The Electrics' with Axel Dörner, Sture Ericson and Ingebrigt Flaten. The same year Strid joined the Barry Guy New Orchestra. Strid played at numerous festivals of free improvisation in Europe and North America. He also teaches in musical improvisation."-Wikipedia (https://en.wikipedia.org/wiki/Raymond_Strid)
11/5/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Last Seen Headed I 8:15

2. Last Seen Headed II 10:48

3. Last Seen Headed III 3:30

4. Last Seen Headed IV 6:41

5. Last Seen Headed V 8:40

6. Last Seen Headed VI 9:36

7. Last Seen Headed VII 2:46

Related Categories of Interest:

Ayler Records

Improvised Music
European Improvisation, Composition and Experimental Forms
Jazz
2010 Top 40
Trio Recordings
Jazz & Improvisation Based on Compositions

Search for other titles on the label:
Ayler.


Recommended & Related Releases:
Leandre, Joelle
Lifetime Rebel [4 CDs + DVD + BOOKLET]
(RogueArt)
The complete recording of Joëlle Léandre's Lifetime Achievement evening that opened the 2023 Vision Festival at Roulette in Brooklyn, in a box set with 4 CDs, a DVD of a 2023 interview punctuated with bass solos, and a 32-page color booklet of concert images and liner notes from John Sharpe; performances by Tiger Trio, Roaring Tree, Atlantic Ave Septet & the duo of Léandre/Moten.
Leandre, Joelle / Pascal Contet
Miniatures
(Trost Records)
A collaboration that goes back 30 years, French improvising bassist Joëlle Léandre and avant accordionist Pascal Contet in their fifth album together, turning from their more typically extended conversations to a series of 10 "Miniatures", shorter and diverse dialogs recorded live in 2022 at the beautiful Arsenal Concert Hall in Metz, France.
Trespass Trio feat. Susana Santos Silva (w / Zanussi / Strid / Kuchen)
Live in Oslo
(Clean Feed)
Joining the long-running Trespass Trio of Per Zanussi on double bass, Martin Küchen on baritone & sopranino saxophone and Raymond Strid on drums for their performance at the 2018 Blow Out Festival in Oslo was Portuguese trumpeter Susana Santos Silva, performing Küchen compositions and a unique group take on Charlie Parker's "Koko", in a concert of both ardent and exuberant improvisation.
Leandre, Joelle / Rodolphe Loubatiere
Estampe
(Confront)
Seven powerful improvisations recorded live at the jazz club AMR in Genèva between double bassist Joëlle Léandre and percussionist Rodolphe Loubatière performing on snare drum, both using impressive technique and every inch of their instruments, Léandre bowing and plucking and Loubatière eking out unusual sonic elements through a variety of objects.
Leandre, Joelle / Vinicius Cajado
Storm Dance
(Not Two)
Six "Dances" of a deeply turbulent nature as legendary French bassist Joëlle Léandre meets Brazilian bassist Vinicius Cajado for a 2022 live concert in Vienna at Alte Schmiede, both employing massively powerful techniques, Léandre vocalizing at times to push their dialog into tempestuous territory; at times darkly explosive but illuminated by incredible creative intent.
Madly You (Lazro / Zingaro / Leandre / Loves)
Madly You
(Fou Records)
Reissuing the 2002 Potlatch release of this exceptional free improvising quartet of Daunik Lazro on alto & baritone saxophones, Carlos Alves "Zingaro" on violin, Joëlle Léandre on double bass and Paul Lovens on percussion & musical saw, some of the most notable of European improvisers captured live during the 2001 "Banlieues Bleues" Festival.
Houle, Francois / Joe Sorbara
Hush
(ezz-thetics by Hat Hut Records Ltd)
With masterful technique and remarkable creative drive, the Canadian duo of clarinetist François Houle and Joe Sorbara explore unorthodox sound worlds through microtones, pad percussives, circular breathing to stretch phrasing, Houle taking apart his instrument to affect tone and pitch, and Sorbara using idiosyncratic percussive instruments including "back porch piano guts".
Leandre, Joelle
Zurich Concert
(Intakt)
A tour-de-force solo concert from the masterful improvising French double bassist Joëlle Léandre, performing at Kunstraum Walcheturm in Zurich in 2022, mostly performed through an astounding bowing exposition, accompanied at times by her worldless vocal improvising, the five parts of this concert evoking passion, power, and a lifetime of profound expression.
Leandre, Joelle / Nuria Andorra
BLA BLA BLA duo
(Listen! Foundation (Fundacja Sluchaj!))
A brooding meeting between free improvising double bassist Joëlle Léandre and Catalonian drummer/percussionist Nuria Andorra (Icarus Ensemble, Barcelona 216, Patchwork Ensemble), two generations of improvisers finding common ground through a simmering boil of intelligent improvisation, imaginative technical skill and passionately assertive playing.
Houle, Francois / Joe Sorbara
Hush
(ezz-thetics by Hat Hut Records Ltd)
With masterful technique and remarkable creative drive, the Canadian duo of clarinetist François Houle and Joe Sorbara explore unorthodox sound worlds through microtones, pad percussives, circular breathing to stretch phrasing, Houle taking apart his instrument to affect tone and pitch, and Sorbara using idiosyncratic percussive instruments including "back porch piano guts".
Leandre, Joelle / Paul Lovens
Off Course !
(Fou Records)
Bringing together two masterful and legendary players from the European Free Improv scene -- French double bassist and vocalist Joëlle Léandre and UK drummer & percussionist Paul Lovens -- heard in this live performance at Les Temps du Corps, in Paris, free playing in two parts with an incredible sense of communication, timing, humor, virtuosity and finesse.
Leandre, Joelle
Beauty / Resistance [3 CD BOX]
(Not Two)
Live concert recordings at Alchemia club in Krakow captured during the Krakow Jazz Autumn Festival 2019 while double bassist Joëlle Léandre held residence, 3 CDs presenting first a quartet with Zlatko Kaucic on drums & percussion, Mateusz Rybicki on clarinets and Zbigniew Kozera on bass, then one disc in a duo with Zlatko Kaucic and another with guitarist Rafal Mazure.
Various Artists (Guy / Leandre / Mazur / Nilssen-Love / Kaucic / Fernandez / Gustafsson / Vandermark / Trzaska / Brotzmann / Ste Swell / Holmlander / Homburger)
Not Two... But Twenty [5 CDs in Wooden Box]
(Not Two)
Not Two Records celebrates their 20th Anniversary with a festival in Wlen, Poland, inviting 13 of the finest European & US improvisers--Guy, Leandre, Mazur, Nilssen-Love, Kaucic, Fernandez, Gustafsson, Vandermark, Trzaska, Brotzmann, Swell, Holmlander, & Homburg--performing in configurations from duo to quintet, released in a limited 5-CD wooden box set.
Leandre, Joelle / Marc Ducret
Chez Helene
(Ayler Records)
Jean-Marc Foussat recorded the French improvising duo of electric guitairst Marc Ducret and double bassist Joelle Leandre at 19PaulFort in May, 2018, the title drawn from a poem by Edgar Allen Poe, as the two trade acoustic and electric string approaches in a sophisticated dialog of exceptional technique and inventive approaches; superb.
Tatakai Trio (Kuchen / Lindsjo / Strid)
HappI
(Relative Pitch)
A trio of well-versed Swedish free improvisers--Martin Kuchen on soprano & sopranino saxophones, Raymond Strid on drums, and Anders Lijndsjo on guitar--in 8 studio improvisations of unusual and highly rhythmic and upbeat interplay, titled with happy adjectives, an apt description of the joy these three find in unconventional approaches to improvisation.
Leandre / Minton
Leandre / Minton
(Fou Records)
Phil Minton started as a trumpeter and became one of free improv's most outside vocalists; Joelle Leandre is a double bassist who also performs free vocal improv; this is their first recorded collaboration, and it's an unusual and wonderful album of heavy tone improvisation, plucked and bowed, and a masterfully odd free association of vocalisation.
Trespass Trio (Zanussi / Strid / Kuchen)
The Spirit of Pitesti
(Clean Feed)
Trespass trio with Martin Kuchen on saxophone, Per Zanussi on double bass, and Raymond Strid on drums & percussion, tell us instrumental narrative through compassionate, impassioned and unorthodox writing and playing, about Romania's Pitesti Prison, where for 4 years around 1950 totalarian authorities practiced brainwashing experiments on the inmates.
Lazro, Daunik / Joelle Leandre / George Lewis
Enfances 8 Janv. 1984
(Fou Records)
A live recording at 28 rue Dunois, in Paris, France in 1984 from the trio of Daunik Lazro on alto sax, Joelle Leandre on double bass and voice, and George Lewis on trombone, a trans-Atlantic enounter of creative inventiveness and innovative vision, a great document of three persistent masters captured early in their incredible careers.
Gregorio, Guillermo
Faktura
(Hat [now] ART)
Guillermo Gregorio produces a series of compositions that reinterprets the structural concepts of Constructivism, Concretism, and Madi, focusing on the physicality of sound.
Vandermark / Gregorio / Bishop / Morris / &c
Pipeline
(Corbett vs. Dempsey)
In 2000, saxophonist Mats Gustafsson and curator John Corbett organized a 16-piece free music big-band featuring key members of the Chicago and Swedish scenes, recording these two impressive, ecstatic, and explosive works.
Leandre, Joelle / Jerome Bourdellon
Evidence
(Relative Pitch)
The duo of French bassist Joelle Leandre and flautist Jerome Bourdellon, two tremendously skilled improvisers in an impressive dialog on a variety of flutes, bass clarinet, bass, voice, with one solo piece from each.
Leandre, Joelle
Solo: Conversations With Franck Medioni [BOOK + CD + DVD]
(Kadima Triptych)
Frank Medioni interviewed bassist Joelle Leandre over two years at her home in Paris to create the narrative of this book; also included is a CD and DVD of two solo performances in Piednu and Guelph.
Leandre, Joelle / Phillip Greenlief
That Overt Desire of Object
(Relative Pitch)
Relative Pitch Records debuts with the excellent duo of bassist Joelle Leandre and Bay Area woodwind improviser Phil Greenlief in 11 variations for contrabass and woodwinds.
Lazro / Zingaro / Leandre / Loves
Madly You
(Potlatch)
An impressive quartet of European improvisers in active and unusually colored music, two extended works that consistetly engages the listener in amazing dialog.
Leandre, Joelle, Quentin Sirjacq
Out of Nowhere
(Ambiances Magnetiques)
An engaging encounter between bassist Leandre and pianist Sirjacq, delicate yet intense interaction from two sophisticated & listening players from different generations.
Ulher / Kuchen / Norelius / Strid
tidszon
(Creative Sources)



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC