"Cologne's Loft has become a hunting reserve for Pavel Borodin's shooting of improvising artists [...] The DVD comprises three episodes (the encore is available as bonus material), a no-frills multi-angle presentation which succeeds in portraying the essence of the performers, an infiltration of sorts in their physical effort, severe application and utter responsiveness. The setting is somehow reminiscent of a low-budget "off" theatre representation: purple background, wooden chairs, an impressive starkness. Minton and Wassermann are placed in front of the main camera, Lehn on the left, Blume on the right. Visually, a few contrasts are immediately noticeable, in the clothing (Minton, the lone non-German, wears a white shirt against the comrades' general darkness) and in the type of gestural expressiveness. On one side there are the "scientists", Lehn, perennially tight-lipped, manipulating the controls of his EMS Synthi with the same concentration of a neurosurgeon, Wassermann a cold-eyed emitter of implausible half-Tibetan-half-warbler vibrations with the only aid of a pair of bird calls. The opposite front sees Blume exploiting the percussive arsenal with controlled passion typically delivered with almost choreographic moves, plus the wild card Minton, whose facial contortion is a spectacle in itself (his close-ups are in fact a study in the rubbery characteristics of human expression, and one genuinely fears that the eyes will pop out of the skull at some point). The four systematically demonstrate an inspiring consistency of reciprocal consideration, symbolized by a couple of instances in which Minton is captured opening a single eye amidst absolute absorption to check what the others are doing. The scarce recognisability of the sources in the pianissimo segments - the vocalists emitting imperceptible overtones, meshing with Lehn's synthetic whispers and Blume's barely audible cymbal scraping - is testament to the remarkable technical and creative homogeneity of these musicians, a seriousness ultimately immortalized. [...]"-Massimo Ricci
NTSC; Region free; Aspect ratio 16:9; Dolby Digital Audio 2.0 and 5.1.
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 At The Squid's Ear!
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DVD
Improvised Music Electro-Acoustic Electro-Acoustic Improv European Improv, Free Jazz & Related Unusual Vocal Forms Free Improvisation
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Track Listing:
Running time 74 minutes. Special features include encore, interview, and trailers.
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