Squidco

Edit Your Shopping Cart
Your cart is empty

 
 Click for Advanced Search
  Useful Links:
   Just In Stock
   Current Email Update
   Recently Restocked
   Upcoming Releases
   Staff Picks
   Closeouts
   Rewards

   Home
   Log In
   About Squidco
   Payment & Shipping
   Gift Certificates
   All CDs

  Store Sections:
   Improvisation / Jazz
   Electro-Experimental
   EA-Improv
   Rock / RIO / Prog
   Compositional
   World, Misc
   Vinyl
   DVD
   Books
   Cassette
   Used CDs
   Jazz LP Reissues

 Featured Genres
 Free Improvisation
   Jazz
   NY/Downtown
   London/UK Improv
   Europe/Improv
   Quebec/Actuelle

 Electro-Acoustic
   E-A Improv
   Musique concrète
   Lowercase
   Electronica
   Ambient
   Sound & Noise
   Field Recordings

 Rock
   Rock in Opposition
   Prog/RIO/Psych
   Chamber Rock
   Improv Rock

 Compositional Forms
   Avant Garde

 Instrumental Forms
 Unusual Voice
 Guitar
 Electronics
 Stringed Instruments
 Piano & Keyboards
 Drums & Percussion
 Turntablists

 Miscellaneous
 Historical Recordings
 Ltd Editions, OOP
 World Music
 Soundtracks/Film Music
 Spoken Word
 Compilations


 Information
   About Squidco
   Philosophy/F.A.Q.
   Contact Us

Join Our Mailing List!
Email:

 Artist Websites on Squidco
 Chris Cutler
 Shelley Hirsch
 Barry Chabala



The Squid's Ear Magazine

Mastercard

Visa

PayPal





Electro-acoustic out-sound experimentician Israel Quellet's 2nd release on Sub Rosa explores common objects and the problem of saturation and noise without compression or manipulation.
 

Quellet, Israel
Soni Sclavus



Label: Sub Rosa
Country: Belgium

"Electro-acoustic out-sound experimentician Israel Quellet was born in Switzerland in 1972, and this is his second release for the Sub Rosa label -- the fifth volume in their Musics in the Margin series. At 16 years-old, the artist discovered sound-worlds such as Miles Davis' electric era, Sun Ra, dub, German cosmic music, Magma, Zappa, and many more. In 1997, he stepped into the musical fray and, following the advice of a sound engineer friend, bought microphones, a digital mixing board, and studio monitors, turning part of his basement into a soundsmithing studio. That is when he started to create, out of his immediate surroundings, soundworks that have little to do with what is "normally" being done.

Appreciated by Ecuadoran electro-acoustic composer Jorge E. Campos, Quellet is supported by the Centre Pierre Schaeffer in Paris. This second work for Sub Rosa explores common objects and the problem of saturation and noise. The artist explains in his own words: "I made the sounds while I was recording, either alone or with the help of my wife. Once a piece has been edited together, the final mixing is performed live, without automation. In order to retain the original dynamics, I do not use compression or any other specific mastering technique designed to equalize the sound or spatialize the stereo image. However, the heavy saturation used in some pieces limits the range of dynamics. The diverse sounds and the diverse means used to capture them give each piece a different overall sound and stereo image. Therefore, the pieces are not standardized or calibrated systematically; they do not all sound the same."-Sub Rosa






Related Categories of Interest:


Electro-Acoustic
Sound, Noise, &c.



Search for other titles on the Sub Rosa label.
Price: $15.95
Stock Level: In Stock

 ADD TO CART 

Quantity:  

Shipping weight: 3.00 units
Quantity in Basket: none

 ADD TO WISH LIST 


Product Information:

UPC: 5411867112624

Label: Sub Rosa
Catalog ID: SR 262CD
Squidco Product Code: 12083

Format: CD
Condition: New
Released: 2009
Country: Belgium
Packaging: Digipack - 3 panel
Recorded in Le Landeron, Switzerlan, 2006-2008.






Personnel:

Israel Quellet-percussion, organ, strokes, voice, bass, recording, editing, mixing

Evelyne Quellet-organ

Philippe Courvoisier-voice (track 8)

Gilbert Forchaus-additional order

Highlight an artist name or instrument above
and click here to Search

Track Listing:

1. Pour Orgue Et Percussions 4:50

2. Pour Orgue 6:34

3. Pour Rameur De Fitness 4:50

4. Pour Basse 'maison' Percussions, Sons Divers 4:44

5. Pour Orgue, Voix 3:01

6. Pour Percussions Et Saturation 2:26

7. Pour Pas Et Frappes Sur Marches D'escaliers, Gaz Carbonique Expulsé 6:27

8. Les Bouffisures, Les Croupissures - Pour Voix, Percussions, Orgue, Sons Divers 6:29

9. Pour Orgue 5:12

10. Pour Caisse Claire, Balais Et Saturation 4:40

11. Pour Orgue Et Percussions 3:11









Customers Who Bought This Item Also Bought:
Loris: Farmer / Hughes / Jones
the cat from cat hill
(Another Timbre)
Rodrigues / Davidson / Rodrigues / Faustino
Fower
(Creative Sources)
Irshai, Evgeny
Hard-Shabes
(Hermes Discorbie)
Coleman, Anthony
Freakish
(Tzadik)
Forge / Julian / Papapostolou
meshes
(Another Timbre)
Lubelski, Samara
Future Slip
(Ecstatic Peace)
Lucas, Joao
Abstract Mechanics
(Creative Sources)
Abbs & Frequency Response, Tom
Lost & Found
(Engine)
Berrocal, Jacques
Paralleles
(Alga Marghen)
Ablinger, Peter
33-127
(Mode Records)
Moimeme, Abdul
Nekhephthu
(Creative Sources)
Creshevsky, Noah / If, Bwana
Favorite Encores
(Pogus)
Ry-om (Ikeshiro / Shelton)
III
(Creative Sources)
Scarassatti / Filho / Bomfim
Sonax
(Creative Sources)
Baumgartner, Martin
Shoot's Huft
(For4Ears)
Piotrowicz, Robert
Lasting Clinamen
(Musica Genera)
English, Lawrence / Yamamoto, Ai
Plateau
(Phonostatique)
Harth, Alfred
Vor Gang
(Laubhuette)
McClure, Darren
Softened Edges
(The Land Of)
schurer > steinbruchel
<falte>
(Non Visual Objects (NVO))
Chrysakis, Thanos
Klage
(Aural Terrains)
Ishida, Naoki
Tone Redust
(Quasi Pop)
Crocker, Jay / Dadge, Chris
Humming & Crackling
(Bug Incision Records)
Lambs Gamble (Cremaschi / Welch)
Memory Collapse
(Evolving Ear)
Cusack, Peter & Eastley, Max
Day for Night
(Paradigm)



 
** Understanding Stock Level Listings

About Squidco   |   RSS Feed   |   Contact Us   |   Email List   |   Payment & Shipping
Your Account   |   Search   |   Shopping Basket   |   Checkout

The Squid's Ear

© 2002-2013, Squidco LLC