Bringing together British and Vancouver artists in a set of improvisations with extended and unusual techniques, harmonics, microtones and texturally dense counterpoint.
Out of Stock
Shipping Weight: 5.00 units
Quantity in Basket: None
Log In to use our Wish List
Catalog ID: CD 1011
Squidco Product Code: 11278
Packaging: Jewel tray, not sealed.
John Butcher-tenor saxophone, soprano saxophone
Highlight an artist name or instrument above
and click here to Search
1. Handglass 9:13
2. Angelskin 5:49
3. Timeball 3:38
4. Flyleaf 3:23
5. Five Intentions 8:35
6. Chinese Burn 5:49
7. Gleaming Silks 7:16
8. Bamboo 1:55
9. Opoponax 9:14
10. Silver Parcel 3:11
Related Categories of Interest:
European Improv, Free Jazz & Related
London & UK Free Improvisation Scene
Recordings by or featuring Reed & Wind Players
sample the album:
"Intentions is the first CD by a trio with saxophonist John Butcher, violinist Phil Durrant, and cellist Peggy Lee. This is truly a cross-cultural collaboration in the best sense of the term--Butcher and Durrant hail from London, England, and Lee is a resident of Vancouver, British Columbia, Canada.
According to journalist Bill Shoemaker, "Intentions appears at an interesting juncture in the evolution of improvised music, an art form uneasy with the disciplines it has spawned. It's a complicated scene, to use a Steve Lacyism. Within this polemic, John Butcher, Phil Durrant, and Peggy Lee have staked out an unequivocal middle ground, where a few guidelines can create an atmosphere in which the unintended flourishes. And it does on this recording."
In Pulse magazine, journalist Art Lange says the following about Intentions, "Butcher devises his own delicately subtle techniques, and combines them with the varied string sonorities (harmonics, bow tapping, microtones, etc.) Durrant and Lee create in a tangled, texturally dense counterpoint that seems to be reconfigured phrase by phrase. When intuitive intentions replace predetermined forms, the results are more surprising than logical; the ensemble's interaction offers intensity via quick, jolting, often pointillist details that scrape with friction or fit together into an abstract mosaic, reshaping the sound mass with every new contribution."
This release features an 8-page booklet with notes by the noted journalist Bill Shoemaker and art by the underrated Mary Vernon."-Nuscope
• Show Bio for John Butcher
"John Butcher's work ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and extreme acoustics.Originally a physicist, he left academia in '82, and has since collaborated with hundreds of musicians - Derek Bailey, John Tilbury, John Stevens, The EX, Akio Suzuki, Gerry Hemingway, Polwechsel, Gino Robair, Rhodri Davies, Okkyung Lee, John Edwards, Toshi Nakamura, Paul Lovens, Eddie Prevost, Mark Sanders, Christian Marclay, Otomo Yoshihide, Phil Minton, and Andy Moor - to name a few.
He is well known as a solo performer who attempts to engage with the uniqueness of place. Resonant Spaces is a collection of site-specific performances collected during a tour of unusual locations in Scotland and the Orkney Islands.His first solo album, Thirteen Friendly Numbers, includes compositions for multitracked saxophones, whilst later solo CDs focus on live performance, composition, amplification and saxophone-controlled feedback.
HCMF has twice commissioned him to compose for his own large ensembles. Other commissions include for Elision (Australia), the Rova (USA) & Quasar (Canada) Saxophone Quartets, reconstructed Futurist Intonarumori (USA), "Tarab Cuts" (based on pre-WWII Arabic recordings, and shortlisted for the 2014 British Composer's Award) and "Good Liquor .." for the London Sinfonietta. In 2011 he received a Paul Hamlyn Foundation Award for Artists.
Recent groupings include The Apophonics with Robair and Edwards, Anemone with Peter Evans, Plume with Tony Buck & Magda Mayas and a trio with Okkyung Lee & Mark Sanders.Butcher values playing in occasional encounters - ranging from large groups such as Butch Morris' London Skyscraper and the EX Orkestra, to duo concerts with David Toop, Kevin Drumm, Claudia Binder, Paal Nilssen-Love, Thomas Lehn, Fred Frith, Keiji Haino, Ute Kangeisser, Matthew Shipp and Yuji Takahashi."-John Butcher Website (http://www.johnbutcher.org.uk/Biog.html)
^ Hide Bio for John Butcher
• Show Bio for Phil Durrant
"Phil Durrant. Born 1957; software synth/sampler, live electronics and acoustic violin.
Phil Durrant studied classical violin and piano at the London College Of Music. Since 1977 he has been a freelance musician, improviser and composer. He has performed at festivals all over Europe, U.S.A and Canada and has had his music broadcast on radio and television in many countries.
Current electronic projects include Ticklish, Secret Measures (with John Butcher), Lunge (with Gail Brand, Pat Thomas and Mark Sanders) and the international electronic orchestra, Mimeo. He also plays violin in Assumed Possibilities (with Chris Burn, Rhodri Davies and Mark Wastell), "Beinhaltung", a trio with Radu Malfatti and Thomas Lehn another trio with Berlin musicians, Burkhard Beins and Ignaz Schick, and the string quartet Quatuor Accorde, with Tony Wren, Charlotte Hug and Mark Wastell. Durrant has also played in the very influential trio with John Butcher and John Russell, as well as the Chris Burn Ensemble.
During his career he has played with many creative and important musicians, including: Derek Bailey, Evan Parker, Grooverider, Shut up and Dance, John Zorn, Phil Minton, and Tom Cora. He has also been awarded various Arts Council grants to research and develop his use of electronics. Two current duo projects - at early 2001 - were: Durrant, violin and software synth/sampler with Wade Matthews, bass clarinet, alto flute; and Durrant software synth/sampler with Mark Sanders drums and sequenced samples.
Phil Durrant has also been collaborating and composing music for a wide variety of choreographers. These include PLastic chill, In the face of a stranger and Deja deux with Maxine Doyle; Salome, Concrete and On stage with Susanne Thomas; Partial site, near view and Delay for five with Gill Clarke; Future perfekt with Ana Sanchez-Colberg; and Borderlander and Home zone with Sophia Lycouris. Salome, Concrete and Partial site, near view were site-specific and involved speaker systems in a number of different rooms. He recently wrote the music for a new play by Nick Sutton called Home movies."-European Free Improv (EFI) (http://www.efi.group.shef.ac.uk/musician/mdurrant.html)
^ Hide Bio for Phil Durrant
• Show Bio for Peggy Lee
"Cellist, improviser, composer Peggy Lee was born and raised in Toronto, Ontario. She studied classical cello, completing a bachelors degree in performance at the University of Toronto as a student of Vladimir Orloff and Denis Brott. She furthered her studies on the cello with lessons with Martha Gerschefski in Atlanta Georgia. In the fall of 1988 Peggy began a year residency with a string quartet at the Banff Centre in Banff, Alberta. It was here that she first became interested in collaborating with artists from different mediums and in veering away from the classical path. This led to a decision to move away from the known and thus to her relocating to Vancouver, B.C. where she now makes her home.
Peggy's first forays into improvisation in Vancouver happened with dancers at the EDAM (experimental dance and music) studio at the Western Front and eventually led to her meeting and joining guitarists Ron Samworth and Tony Wilson in their respective bands; as well as becoming a member of the New Orchestra Workshop, which went on to have interesting and fruitful collaborations with Butch Morris, Wadada Leo Smith, René Lussier, Barry Guy and George Lewis.
Peggy continues to collaborate frequently with Ron and Tony and with her husband, drummer Dylan van der Schyff, as well as with many other longtime musical associates including Dave Douglas, Wayne Horvitz, Robin Holcomb, Veda Hille and Lisa Miller. She also leads or co-leads a number of musical projects: The Peggy Lee Band, Film in Music, Waxwing (with Tony Wilson and Jon Bentley) and Beautiful Tool (with Mary Margaret O'Hara).
She has also collaborated extensively in theatre and dance with companies and artists such as Ruby Slippers, Rumble Theatre, Presentation House, David Hudgins, Peter Bingham and Delia Brett.
In 2005, Peggy received the Freddie Stone Award for integrity and innovation in music and in 2010 she was awarded a Jesse Richardson Theatre Award for outstanding composition."-Peggy Lee Website (http://www.peggylee.net/about-peggy.html)
^ Hide Bio for Peggy Lee
Search for other titles on the Nuscope label.