"Why record intermissions? One duty of the composer is to expose the unexpected, overlooked, and hidden skeins of music woven in the world around us. Culling sounds from the world as a composition subverts long-standing, essentialist notions of music as comprised of notes, melody, traditional instruments (violin, guitar, drums, piano, etc.) and so forth as well as flouts contemporary expectations of abstractly agglomerated, musique concrète-ized sound."-An excerpt from the liner notes by DeLaurenti Review: The New York Times, Arts Section May 30, 2007 The Concerts Found On Stage While Everyone Else Takes a Break "The recordings at first may have all the allure of watching moss grow. But when the tracks on Mr. DeLaurenti's CD are heard together, with his theories and the history of the musical avant-garde in the background, they make a crazy kind of sense as performances."-Daniel J. Wakin Music: Best of 2007, Top 10: Art Forum, December issue "An album that creates the unmistakable sensation that something special is about to happen."-Damon Krukowski Review: The Wire, May 2007 "Favorite Intermissions could prove to be a cult hit among the classical crowd. Seattle based Christopher DeLaurenti's album is a high-concept masterstroke by a guerrilla phonographer..."-Clive Bell
Related Categories of Interest:
Electro-Acoustic Organized Sound and Sample Based Music Field Recordings
Search for other titles on the GD Stereo label.
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Track Listing:
1. Holst, Hitherto 17:11
2. Before Petrushka 10:39
3. SF Variations 4:35
4. Holding Out for Ein Helden 9:00
5. Awaiting AGON 14:56
6. After Beethoven 11:49
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