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Kira Kira (Tamura / Spence / Fujii / Takemura): Bright Force (Libra)

Since 2007 Japanese pianist Satoko Fujii and Australian keyboardist Alister Spence have collaborated on performance and recording in several configurations, including work with Tony Buck, Raymond McDonald, Jim O'Rourke, &c.; this energetic and otherworldly quartet session with trumpeter Natsuki Tamura and drummer Ittetsu Takemura was recored live Knuttel House, in Tokyo, 2017.
 

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Includes a 6 page color booklet with text in English and Japanese.

UPC: 4562169330481

Label: Libra
Catalog ID: 204-048
Squidco Product Code: 25688

Format: CD
Condition: New
Released: 2018
Country: Japan
Packaging: Cardboard Gatefold
Recorded at Knuttel House, in Tokyo, Japan, on September 12th, 2017, by Masataka Fujikake.


Personnel:

Natsuki Tamura-trumpet

Alister Spence-Rhodes electric piano, effects pedals and preparations

Satoko Fujii-piano

Ittetsu Takemura-drums

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track listing:


1. Because Of The Sun 9:42

2. Nat 4 13:18

3. Luna Lionfish 1 9:11

4. Luna Lionfish 2 12:14

5. Luna Lionfish 3 13:51
Related Categories of Interest:

Satoko Fujii & Natsuki Tamura's Libra Label

Improvised Music
Jazz
Free Improvisation
Japanese & Asian Improv/Rock
Quartet Recordings
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descriptions, reviews, &c.

"Satoko Fujii has an ironclad constitution--she never stops working for a moment. Her live performances alone run the gamut from various regular trios, quartets, and orchestras to solo and duo outings and the occasional special unit. She maintains musical partnerships in Europe, Australia, and elsewhere. She organizes her daily schedule to allow for composing, rehearsing, gigs, and in between finds time to record in the studio, arrange for the mixing and mastering, and oversee the jacket design and liner notes. A true rolling stone, she frequently changes her place of residence, moving in recent years from Tokyo to Berlin to, currently, Kobe--all optimum departure points for overseas tours. [...]

As for this new album: It's a document of the latest of a number of encounters with the Australian keyboardist, composer and arranger Alister Spence, this one recorded live in September 2017 at Knuttel House in Iriya, Tokyo. Their acquaintance dates back to 2007, when Fujii and Tamura first toured in Australia. The following year Spence and Fujii performed as a piano duo in Tokyo. Their performance be heard on the live album Buddy, released under the name of Spence's bandmate, the Scottish saxophonist Raymond McDonald, and featuring Tamura, guitarists Jim O'Rourke, kotoist Michiy Yagi, and a number of other wold-class Japanese and non-Japanese musicians. After several more meetings, Spence, Fujii and Tamura received a commission last year from the Melbourne International Jazz Festival to produce a new work together. Though their initial concept called for a quintet, they ultimately settled on a quartet with Tony Buck, drummer of the elegant Australian trio The Necks. In Tokyo the unit included Ittetsu Takemura, a young drummer known for his work with Fumio Itabashi, in keeping with Spence's desire to work with local drummers on the project.

The band played two sets. The first began with a long intro by Fujii, one of her trademark sequences of delicate microsounds. This was ultimately moved to the end of the album, which launches instead with the aggressive piece by Spence that led off the second set. That decision may have been dictated by the less than pristine recording environment; if so, it was the right one. A solo composition by Spence was also omitted due to his dissatisfaction with the sound quality. Throughout, however, Fujii and Tamura's characteristic oscillatory development is imbued witeh the eerie percolations of the Fender Rhodes piano, played in Spence's inimitable manner--and with the sharp, incisive intrusions of Takemura, whose drumming texture is a radical departure from that of recent collaborators like Takeashi Itani. Fujii and Tamura, who live by Paul Bley's motto of "release what you receord," were not about to discard the unique sonic world generated by this once-in-a-lifetime intermingling of disparate elements. [...]"-Shiro Matuso, from the liner notes (translated by Alan Gleeson)


Includes a 6 page color booklet with text in English and Japanese.

Artist Biographies:

"Japanese trumpeter and composer Natsuki Tamura is internationally recognized for a unique musical vocabulary that blends extended techniques with jazz lyricism. This unpredictable virtuoso's seemingly limitless creativity led François Couture in All Music Guide to declare that "... we can officially say there are two Natsuki Tamuras: The one playing angular jazz-rock or ferocious free improv... and the one writing simple melodies of stunning beauty... How the two of them live in the same body and breathe through the same trumpet might remain a mystery."

Born on July 26, 1951, in Otsu, Shiga, Japan, Tamura first picked up the trumpet while performing in his junior high brass band. He began his professional music career after he graduated from high school, playing in numerous bands including the World Sharps Orchestra, Consolation, Skyliners Orchestra, New Herd Orchestra, Music Magic Orchestra, and the Satoko Fujii Ensemble, as well as in his own ensemble. He was the trumpeter for numerous national television shows in Japan from 1973-1982, including The Best Ten, Music Fair, Kirameku Rhythm and many others.

In 1986, he came to the United States to study at Berklee College of Music. He then returned to his native Japan to perform and teach at the Yamaha Popular Music School and at private trumpet studios in Tokyo and Saitama, before coming back to the US to study at New England Conservatory. He made his debut recording as a leader in 1992 on Tobifudo.

In 1997 he released the duo album How Many? with pianist Satoko Fujii, who is also his wife. It marked the beginning of an artistic collaboration that continues up to the present. The duo has made a total of five CDs over the years, including 2012's Muku. "Muku contains some truly stunning, spine-tingling music...its sheer beauty and elegance is what lingers most," wrote Dave Wayne in All About Jazz. "Fujii's orchestral technique, clear chromatic lines and "prepared piano" devices contrast effectively with Tamura's arsenal of extended techniques which he executes with a warm, vocalized tone throughout the trumpet's full range," Ted Panken said in his four-star DownBeat review. Tamura's collaborations with Fujii reveal an intense musical empathy, and have garnered wide popular and critical acclaim. Jim Santella in All About Jazz described their synergy well in his glowing review of the couple's 2006 Not Two disc, In Krakow, In November: "... the creative couple forcefully demonstrates what can happen when you let your musical ideas run free... Similarly, Tamura's mournful trumpet can fly high or low in search of his next surprise. Oftentimes, they both issue plaintive moans that sing like angels on high." Their sixth duet album is due out in 2017.

In 1998, Tamura began recording his unaccompanied solo performances. The stunning solo trumpet debut release, A Song for Jyaki earned a Writers Choice 1998 in Coda magazine, and Andy Bartlett wrote in Coda, "A fabulous set of hiccuping leaps, drones and post-bop trumpet hi-jinx. Tamura goes from growling lows to fluid, free solo runs and echoes not only Don Cherry's slurring anti-virtuosic chops but also Kenny Wheeler's piercing highwire fullness." He followed it up in 2003 with KoKoKoKe, which Jon Davis described in Exposé as "Buddhist chants from an alien planet." Grego Applegate Edwards explains that on Tamura's most recent solo album, 2013's Dragon Nat, "he pares down to focus on simple unwinding melodic material, the sound of his trumpet as a sensuous thing, a periodicity. Taken as a whole it is a kind of environmental tone poem for the moment Natsuki is in now."

2003 was a breakout year for Tamura as a bandleader, with the release of Hada Hada, featuring his free jazz-avant rock quartet with Fujii on synthesizer. Peter Marsh of the BBC had this to say about the high voltage CD: "Imagine Don Cherry woke up one morning, found he'd joined an avant goth-rock band and was booked to score an Italian horror movie. It might be an unlikely scenario, but it goes some way to describing this magnificent sprawl of a record." The quartet's 2004 Quartet release Exit was deemed "...a brilliantly executed set with a neon glow," by Dan McClenaghan in All About Jazz.

In 2005, Tamura made a 180-degree turn in his music with the debut of his all acoustic Gato Libre quartet. Focusing on the intersection of European folk music and sound abstraction, the quartet featured Fujii on accordion, Kazuhiko Tsumura on guitar, and Norikatsu Koreyasu on bass. The quartet's poetic, quietly surreal performances have been praised for their "surprisingly soft and lyrical beauty that at times borders on flat-out impressionism," by Rick Anderson in CD Hotlist. Dan McClenaghan in All About Jazz described their fourth CD, Shiro, as "intimate, something true to the simple beauty of the folk tradition...Tamura's career has largely been about dissolving musical boundaries. With Gato Libre and Shiro, the trumpeter extends his reach even deeper into the prettiest, most accessible of his endeavors." After the unexpected passing of Norikatsu in 2012, Tamura added trombonist Yasuko Kaneko to the group. The new configuration has toured Europe and Japan and released its debut recording, DuDu, in 2014. "DuDu follows the winning formula of its predecessors but, as with the other discs, eschews the formulaic. The result is another sublimely satisfying, elegant record that brims with raw excitement and a reflective nostalgia," writes Hrayr Attarian in All About Jazz. With the tragic death of guitarist Kazuhiko Tsumura, Gato Libre is now a trio. They will release a CD and LP in 2017.

In 2010, Tamura debuted a new electric quartet, First Meeting, featuring Fujii, drummer Tatsuhisa Yamamoto and electric guitarist Kelly Churko. Their first release, Cut the Rope, is "is a noisy, free, impatient album, and ranks among Fujii and Tamura's most accomplished," according to Steve Greenlee in the Boston Globe.

While fronting groups and recording as a leader, Tamura has also played an integral role in nearly all of Satoko Fujii's many projects. He is featured on all of the CDs by Satoko Fujii's various orchestras (NY, Tokyo, Nagoya, Kobe, and Berlin) and has contributed original compositions and arrangements to each of their 19 critically celebrated albums. In addition, he was a featured soloist in the Satoko Fujii Quartet, her avant-rock free jazz group that also included Tatsuya Yoshida of The Ruins. Of his work on the quartet's 2003 release Minerva, Mark Keresman wrote in JazzReview.com, "Natsuki Tamura's trumpet has some of the stark, melancholy lyricism of Miles, the bristling rage of late 60s Freddie Hubbard and a dollop of the extended techniques of Wadada Leo Smith and Lester Bowie."

Tamura is a vital member of Fujii's Min-Yo Ensemble as well. "Tamura tempers his avant-garde antics with an innate lyricism," wrote Steve Smith of Time Out New York in his review of Fujin Raijin, the intimate acoustic quartet's debut CD. He's also been singled out for his contributions to Fujii's ma do ensemble. "With Tamura's brash and glowing lines, the band incorporates mesmeric ostinatos and thrusting opuses into the grand schema," Glenn Astarita wrote in Ejazznews about their first CD, Desert Ship.

Collaborative groups also play an important role in Tamura's career. Most recently, Tamura joined Fujii and two French musicians, trumpeter Christian Pruvost and drummer Peter Orins, to form Kaze, which made their recording debut in 2011. In 2015, they released their third album, Uminari, which Jazz Magazine (France) called, "a compelling example of free jazz today. Compositions are perfectly scripted, with a well-oiled interaction and playing of beautiful power..." The collaborative trio Junk Box, which he co-founded in 2006 along with pianist Fujii and drummer John Hollenbeck, plays Fujii's "composed improvisations," graphic scores that take "ensemble dynamics to great creative heights," says Kevin Le Gendre in Jazzwise. Their music "is full of bluster and agitation that nonetheless retains moments of great melodic beauty, usually by way of concise, pertly pretty motifs that trumpeter Tamura plays in between bursts of withering roars that often dissolve into austere overtones." Their premiere CD, Fragment, appeared in 2006. As Daniel Spicer wrote of Fragment in JazzWise, "Tamura spits out gloriously rude Lester-Bowie-like snorts, lows like a herd of robotic cattle or makes like a wheezy howler monkey... Cool and clever." Glenn Astarita of All About Jazz declared it "Required listening."

Along the way, there have been one-off cooperative groups and sideman appearances for Tamura as well. In the Tank, an ad hoc quartet with Fujii and electric guitarists Takayuki Kato and Elliott Sharp, is a "triumphant electro-acoustic adventure" according to Daniel Spicer of Jazzwise. "Think AMM meets blues guitar meets 1970s Miles Davis and you get some idea of the disc's flavor: a slow-moving panorama for the ears, where sounds are systematically added, repeated, refined, and replaced in turn," wrote Nate Dorward in Cadence. Tamura and Fujii were one of two piano/trumpet duos featured on the Double Duo Crossword Puzzle CD, a live recording with Dutch trumpeter Angelo Verploegen and pianist Misha Mengelberg. Tamura has also toured and recorded with saxophonist Larry Ochs' Sax and Drumming Core, and appeared on albums by drummer Jimmy Weinstein, saxophonist Raymond McDonald, and CDs by Japanese free-jazz pioneers trumpeter Itaru Oki and pianist Masahiko Sato. In 2014 he released Nax, a duet album with bassist Alexander Frangenheim. Tamua has toured throughout Japan, North America, and Europe, appearing at major jazz festivals, concert halls, and clubs."

-Natsuki Tamura Website (http://www.natsukitamura.com/bio)
4/23/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Alister is recognized as one of Australia's most original, distinctive contemporary jazz pianists/composers. With a performing and composing career spanning more than 25 years, his wide-ranging talents have led him to perform with and compose for some of the world's most respected artists in the areas of contemporary music, improvisation, film and theatre.

In recent years he has devoted his energy to writing and performing with his trio, The Alister Spence Trio with Lloyd Swanton (the Necks) on double bass and Toby Hall (formerly with pianist, Mike Nock) drums and glockenspiel. This celebrated group has recorded six CDs (Rufus Records and Alister Spence Music [ASM]) and has a growing international reputation.

Their most recent CD, Alister Spence Trio: Live (ASM 2015) was recorded live at the Sound Lounge, Sydney in 2015 and received a 4 star review in Jazzwise Magazine. Far Flung (Rufus Records 2012) also received a 4 star review in Jazz Journal (June 2013) and was listed in Critics Poll 2013 (January 2014). It was also listed in The WIRE 2013 Rewind - Critics' reflections by Andy Hamilton as Album of the year. fit (Rufus Records 2009) was voted in the top 15 jazz/improv releases worldwide for 2009 by The Wire, UK. Both Mercury (Rufus Records 2006) and Flux (Rufus Records 2003) received ARIA nominations (Australian Record Industry Awards) for 2004, 2007. The trio toured in U.K and Canada in 2006 and Japan in 2008.

Since performing at The Vilnius Jazz Festival 2009, with bassist, Joseph Williamson (Tobias Delius Quartet, Alex Ward) and drummer, Chris Cantillo (Nils Berg Cinemascope, Lena Nyberg), Alister has returned to Europe and the UK on a regular basis to tour with this lineup. Spence/Williamson/Cantillo released their debut CD, Begin (Alister Spence Music) in 2015. It was described as "Brilliant musicianship, masterful playing and imaginative improvisation" by Eyal Hareuveni, Salt Peanuts.

Alister also performs with improvising groups Sensaround - Alister Spence/keyboards, Raymond MacDonald (Scotland)/saxophone and Shoeb Ahmed/samples releasing two CDs Isotropes (2014 HelloOsquare Recordings) and Travelogue (2016 HellOSquare Recordings).; and ch/an/ce - Andrew Fedorich/saxophone, Evan Dorian/drums, Alister Spence/piano.

Since 2008, Alister has collaborated with acclaimed, Japanese pianist/composer Satoko Fujii performing a double bill at Tokyo International Jazz Festival - Alister Spence Trio and Satoko's ensemble Mah Doh Quartet. In 2011, they performed as a duo in Sydney at the Eugene Goosens Hall ABC and in 2015 performed as part of an improvisation concert at Kuhlspot Berlin wiht Magda Mayas, Natsuki Tamura and Andrea Parkins. In 2016, Alister toured in Japan with Sensaround and the Satoko Fujii Orchestra and performed several duo piano concerts with Fujii.

Other collaborations include releasing an improvised duo recording with Scottish saxophonist, Raymond MacDonald, Stepping Between the Shadows (2013 Rufus Records); and Everything Here is Possible (2013 Alister Spence Music) with US pianist Myra Melford, winning the APRA/AMCOS Art Music Award for Excellence in Jazz 2014.

Alister is a founding member of Wanderlust and a long-standing member of The Australian Art Orchestra (AAO). Alister was also co-leader/composer with the internationally acclaimed group Clarion Fracture Zone for 15 years from 1990 - 2005.

Over the years he has played with many fine musicians including Satoko Fujii (Japan), Michiyo Yagi (Japan), Barre Phillips (US), Myra Melford (US), Mark Helias (US), Andy Sheppard (UK), Joe Williamson (SWE), Jim O'Rourke (Japan), Raymond MacDonald (Glasgow), Karraikudi Mani (IND), Bernie McGann, Sandy Evans, Chris Abrahams, Don Burrows, Dale Barlow, Peter O'Mara, Tony Buck, Phillip Slater, Paul Capsis, Archie Roach and Ed Kuepper (The Laughing Clowns).

Alister has toured extensively in Europe, Asia and Canada and has performed radio broadcasts for ABC (Australia), BBC (UK), and WDR (Germany). His playing is featured on more than 40 CDs, many of which have either won or been nominated for Australian Record Industry (ARIA) Awards.

His talents as a composer are well known in Australia. Alister has been commissioned to write for The Australian Art Orchestra and Claire Edwardes/Amy Dixon duo. Alister's work is also featured on Passion (The Australian Art Orchestra-ABC Classics) on Bernie McGann's 2001 ARIA winning CD Bundeena."

-Alister Spence Website (http://www.alisterspence.com/biography.php)
4/23/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born on October 9, 1958 in Tokyo, Japan, Fujii began playing piano at four and received classical training until twenty, when she turned to jazz. From 1985-87, she studied at Boston's Berklee College of Music, where her teachers included Herb Pomeroy and Bill Pierce. She returned to Japan for six years before returning to the US to study at the New England Conservatory in Boston, where her teachers included George Russell, Cecil McBee, and Paul Bley, who appeared on her debut CD Something About Water (Libra, 1996).

Since then Fujii has been an innovative bandleader and soloist, a tireless seeker of new sounds, and a prolific recording artist in ensembles ranging from duos to big bands. She has showcased her astonishing range and ability approximately 80 CDs as leader or co-leader. With each new recording or new band, she explores new aspects of her art.

Regular collaborations include her New York trio with bassist Mark Dresser and drummer Jim Black, augmented by trumpeter/husband Natsuki Tamura to form the Satoki Fujii Four; her duo with Tamura; the Satoko Fujii Quartet featuring Tatsuya Yoshida of the Japanese avant-rock duo, The Ruins; Orchestra New York, which boasts the cream of New York's contemporary avant garde improvisers, including saxophonists Ellery Eskelin and Tony Malaby, trumpeters Herb Roberton and Steven Bernstein, and trombonist Curtis Hasselbring, among others; Orchestra Tokyo, drawing on that city's best improvisers; Orchestra Nagoya; Orchestra Kobe; the co-operative trio Junk Box with Tamura and percussionist John Hollenbeck; ma-do, a quartet including Tamura on trumpet, bassist Norikatsu Koreyasu, and Akira Horikoshi; the Min-Yoh Ensemble with Tamura, trombonist Hasselbring, and accordionist Andrea Parkins; the Satoko Fujii New Trio, featuring bassist Todd Nicholson and drummer Takashi Itani― plus countless engagements and collaborations with some of the world's most important improvisers."

-Satoko Fujii Website (http://www.satokofujii.com/bio.html)
4/23/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Ittetsu Takemura was born in Sapporo City in 1989 (Heisei era). Middle School.From 9 years old he studied drums with Yoshi Oyama at YAMAHA.

Mainly playing rock, fusion etc. At the same time as graduating from junior high school, he started professional activities mainly in Sapporo.

In 2006, he participated in the "Yokohama JAZZ PROMENADE" jazz competition at Mikio Ishida trio, and won the Grand Prix and the citizen prize double. CD release on the same trio.

Since around 2009, Fumio Itabashi trio FIT! Act as a member of. Trio, the nationwide tour in large formation also continued to the present, and has gained high evaluation in every place.

In 2010, I participated for the first time as a tour member of the group Watanabe Sadao.

For about 2 years since 2011, he acted as a regular member of Sadao Watanabe Quintet.

From 2015 he is still active as a regular member of the group Sadao Watanabe.

He is also an idol entity since about 2016, and also acts as a regular member of the quartet of Mt. Amosaku who had co-starred in tours and sessions in Tokyo until then.

Currently I mainly have a base in Tokyo, but I love the local Hokkaido well, and there are many activities in Sapporo and Hokkaido.

Young band "MAZIWARIS" who is in a leader position is also formed from Hokkaido-born Yamada Takeshi, Usui Yuji and Ochi Shunsuke.

The CD of live recording is also sold out with the success of Hokkaido tour.

Currently, he participates in various bands such as Sadao Watanabe, Masakazu Mine, Itsui Itabashi, Shun Sakai, and is active all over the country.

Major collaboration history (in no particular order), Fumio Itabashi, Sadao Watanabe, Eiichi Hayashi, Eiichi Oyama, Akita Koyama, Akihiro Ishigari, Hiromaki Katayama, Tomoki Takahashi, Katsumasa Uemura, Carmen · Maki, Shun Sakai, Atsushi Ikeda, Oguchi Junichiro, Sakai Yoshihiro, Sakai Ryuichi, Yoshida Ryuichi, Watanabe Takao, Umezu Kazuyoshi, Kato Takayuki, Sugadairo, Kosugi Satoshi, Fukuda Shigeo, Inoue Yosuke, Kudo Seiji, Kudo Noboru, Tamura Natsuki , Akira Onozuka, Koichi Aramaki, Shigeo Aramaki, Shigeyuki Honda, Tamiya Honda, Nobimasa Tanaka, Hiroshi Fukumura, Tetsuro Fukumura, Akira Kawashima, Akira Toyama, Yaso Sakai, Nasunomitsuru, Ritsuo Eto, Hideaki Kanazawa, Takaoka Daisuke, Oshida Toshinobu, Ota Toshiyuki, Okada Tsutomi, Atsushi Goto, Atsushi Goto, Hiroyoshi Murata, Hiroshi Yoshino, Masafumi Yamaguchi, Isao Tsukamoto, Atsushi Inoue, Hugues Vincent, Greg McKenzie, Mikio Ishida, Takashi Seo, David Mathews, and many others."

-Ittetsu Takemura Website (http://ittetsu2.web.fc2.com/profile/newfile.html)
4/23/2018

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Other Releases With These Artists:
Fujii, Satoko
Ninety-Nine Years
(Libra)
Kaze (Fujii / Tamura / Pruvost / Orins)
Atody Man
(Libra)
Fujii, Satoko
Solo
(Libra)
Fujii, Satoko Orchestra New York
Fukushima
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Fujii, Satoko Quartet (w/ Natsuki Tamura / Keisuke Ohta / Takashi Itani)
Live at Jazz Room Cortez
(Cortez Sound)
Smith, Wadada Leo / Natsuki Tamura / Satoko Fujii / Ikue Mori
Aspiration
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Fujii, Satoko / Natsuki Tamura
Kisaragi
(Libra)
Gato Libre (Fujii / Tamura / Kaneko)
Neko
(Libra)
Ochs, Larry / Sax and Drumming Core
Wild Red Yellow
(RogueArt)
Tamura, Natsuki / Alexander Frangenheim
Nax
(Creative Sources)
Fujii, Satoko
Invisible Hand [2 CDs]
(Cortez Sound)
Trouble Kaze (Fujii / Agnel / Tamura / Pruvost / Lasserre / Orins)
June
(Helix Circum-Disc)
Fujii, Satoko Orchestra Tokyo + KAZE
Peace (Tribute To Kelly Churko)
(Libra)
Fujii, Satoko / Joe Fonda
Duet
(Long Song Records)
Fujii, Satoko Tobira
Yamiyo Ni Karasu
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Fujii, Satoko Orchestra Berlin
Ichigo Ichie
(Libra)
Kaze
Uminari
(Circum-Libra)
Gato Libre
DuDu
(Libra)
Fujii, Satoko New York Orchestra
Shiki
(Libra)
Fujii, Satoko
Gen Himmel
(Libra)
Kaze
Tornado
(Circum-Libra)
Fujii, Satoko New Trio
Spring Storm
(Libra)
Tamura, Natsuki / Satoko Fujii
MUKU
(Libra)
Gato Libre
Forever
(Libra)
Kaze
Rafale
(Circum-Libra)
Fujii, Satoko Orchestra New York
ETO
(Libra)
Fujii, Satoko Min-Yoh Ensemble
Watershed
(Libra)
Gato Libre
Nomad
(No Man's Land)
Gato Libre (Tamura / Fujii / Tsumura / Koreyasu)
Shiro
(Libra)
First Meeting (Tamura / Fujii / Churko / Yamamoto)
Cut The Rope
(Libra)
Fujii, Satoko / Natsuki Tamura
In Krakow In November
(Not Two Records)
Ochs, Larry Quintet
Stone Shift
(RogueArt)
Fujii / Melford
Under the Water
(Libra)
Fujii, Satoko Orchestra New York
Summer Suite
(Libra)
Tamura, Natsuki / Fujii, Satoko
Chun
(Libra)
Junk Box (Tamura / Fujii / Hollenbeck)
Cloudy Then Sunny
(Libra)
Gato Libre
KURO
(Libra)
Fujii Trio, Satoko
Trace A River
(Libra)
Double Duo (Verploegen / Mengelberg / Tamura / Fujii)
Crossword Puzzle
(Libra)
Junk Box (Tamura / Fujii / Hollenbeck)
Fragment
(Libra)
Koh / Fujii / Reichman
Yamabuki
(Libra)
Fujii / Tamura / Sharp / Kato
In the Tank
(Libra)
Fujii, Satoko
Indication
(Libra)
Tamura, Natsuki Quartet
Hada Hada
(Libra)
Tamura, Natsuki / Satoko Fujii
Clouds
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Fujii, Satoko / Bley, Paul
Something About Water
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Fujii, Satoko / Min-Yoh Ensemble
Fujin Raijin
(Les Disques Victo)
Fujii, Satoko Quartet
Angelona
(Libra)
Fujii Quartet, Satoko
Minerva
(Libra)
Fujii Orchestra, Satoko
South Wind
(Libra)
Tamura, Natsuki Quartet
Exit
(Libra)
Tamura, Natsuki & Fujii, Satokoz
How Many ?
(Libra)
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