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Rodrigues, Ernesto / Eduardo Chagas / Abdul Moimeme / Joao Madeira: Cloud Voices (Creative Sources)

A three part improvised work for viola, trombone, electric guitar and double bass from, respectively, Ernesto Rodrigues, Eduardo Chagas, Abdul Moimeme, and Joao Madeira, an ascending conversation that uses innuendo, mystery, subtle movement, silence and swells to create atmospheric environments, each "voice" shifting enigmatically in sublimely hazy ways.
 

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product information:


UPC: 5609063403169

Label: Creative Sources
Catalog ID: cs316
Squidco Product Code: 21647

Format: CD
Condition: New
Released: 2015
Country: Portugal
Packaging: Cardboard Gatefold
Recorded at Jazztras Estudio, Lisbon, Portugual, on March 8th, 2015, by Luciano Bairros.


Personnel:

Ernesto Rodrigues-viola

Eduardo Chagas-trombone

Abdul Moimeme-electric guitar

Joao Madeira-doublebass

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Artist Biographies:

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
2/12/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Eduardo Chagas currently lives in Lisboa, Portugal. He is a member of IKB, Variable Geometry Orchestra, performing free Improvisation, and electroacoustic-improv.

-Squidco 2/12/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Abdul Moimême was born in Lisbon, in 1959, moving at an early age to New Mexico and later to Dublin, Ireland. He began studying the guitar at the age of 11, studying under various private teachers, in Madrid, Spain.

In 1979 he moved to Boston to study architecture, finally completing his degree at the University of Lisbon.

In the 90's he began studying the tenor saxophone with Patrick Brennan. In this period he became actively involved with Lisbon's improvised and alternative rock scenes, performing frequently with the Variable Geometry Orchestra since it's creation in 2003, as well as with various other local projects.

His main musical partners are from Lisbon and Porto, but he has also performed in public concerts with such artists as Gale Brand, George Haslam, Jon Raskin, Ken Filiano, Patrick Brennan, Steve Adams, and Wade Matthews.

In 1999 he started writing about jazz in various Portuguese publications and is currently a permanent collaborator of Jazz.pt magazine, and Publico newspaper, as a critic.

In 2006 he created Freemusic (http://freemusic.podomatic.com), a space exclusively dedicated to the promotion of Portuguese improvised music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
2/12/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Joao Madeira: "I was born in Lisboa and I've dedicated most of my energy to the doublebass since I was 12. When I went to study at the Conservatório de Lisboa my role model was doublebassist João Panta Nunes, and lately my studies were oriented by Jorge Lee, at Cascais. I have a degree in Musicology, investigation work on Fado's candidature to World Immaterial Heritage by UNESCO, and coordination of the Music Department at INATEL/FNAT. Since 1999 I have a strong activity (studio and performance) in several styles and genres, but improvised music and original composition (whatever the style...) are the places where my musical language riches its higher satisfaction and plenitude. In the recordings you are about to hear it's me who plays all the instruments. My passion is at the simple act of artistic creation. For me, music is all about musicians and genuine expression! It doesn't matter the genre neither the instrument per si. In theater I have collaborations (musician, composer, actor) with Companhia do Chapitô and Artistas Unidos, amongst others. I also love books (...) I've studied aesthetics and Portuguese literature since I remember, and love to read and write poetry."

-Reverb Nation (https://www.reverbnation.com/eudemadeira/song/9496502-mejardim-joo-madeira)
2/12/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Cloud Voices I 22:07

2. Cloud Voices II 11:20

3. Cloud Voices III 29:03

sample the album:








descriptions, reviews, &c.

"Cloud Voices, recorded in Lisbon in March of this year, was perhaps the most distinctive of the past six months of releases for me. The title references (perhaps) the theme - or half of it - from Clocks and Clouds, an album out of Portugal that made a bit of a splash last year. Cloud Voices, a rather long quartet album at more than an hour, eschews the mechanical (or discrete) while focusing on the cloudy. It might even be said to open with thunder, although the viola-bass-trombone combination, combined with Abdul Moimeme on prepared guitar, sticks to mostly acoustic material. (The boundary for a "pickup" isn't clear to me, since a recording inherently involves a microphone.) Whereas Rodrigues's Nor album, recorded in Berlin and featuring half Berlin-based improvisers, might be said to feature some similar sonorities, those sometimes halting and episodic tracks convey more of a human response, if only in protest (of bogus choices). Cloud Voices constructs a different sense of time, which is part of its charm, even if it can seem overly long at times. Indeed, this album leads me to posit time-scale as a basic difference between the generalized "clock" and "cloud" phenomena, with the clock occupying a temporality that makes ready sense at the human perceptual scale. In its exploration of nonlinear process, Cloud Voices also reminds me of Triple Point's Phase/transitions, although there the sound - the immersion, one might say - is more consistent. Although not superficially similar, listening to the two albums together seems to reveal some similar motivations. In the case of Cloud Voices, such exploration leads to more fragile activity, however, as processes struggle to gain momentum. (Perhaps the cloud becomes a social metaphor at that point"- Todd McComb, Todd McComb's Jazz Thoughts

Related Categories of Interest:


Creative Sources
Improvised Music
Free Improvisation
European Improv, Free Jazz & Related
Quartet Recordings
New in Improvised Music


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